REFERENCES
- Burnett, Craig (2005), Jeff Wall, London: Tate Gallery.
- Cassidy, John (2010), ‘What good is Wall Street?’, The New Yorker, November 29, 48–57.
- Clark, T. J. (1984), The Painting of Modern Life: Paris in the Art of Manet and his Followers, Princeton: Princeton University Press.
- Clark, T. J. (1999), Farewell to an Idea: Episodes from a History of Modernism, New Haven: Yale University Press.
- Criqui, Jean-Pierre (2006), ‘Jeff Wall, or the anatomy of the photographic image’, in Jeff Wall/Paul Cézanne, Paris: Musée d'Orsay/Argol Éditions, pp. 6–26.
- Elkins, James (2005), ‘What do we want photography to be? A response to Michael Fried’, Critical Inquiry, 31:4 Summer, pp. 938–56.
- Fried, Michael (1996), Manet's Modernism, or, The face of painting in the 1860s, Chicago: University of Chicago Press.
- Joyce, Lisa and Orton, Fred (2003), ‘”Always Elsewhere”: An introduction to the art of Jeff Wall (A Ventriloquist at a Birthday Party in October, 1947)’, Jeff Wall, Vienna: Museum Moderner Kunst Stiftung Ludwig, pp. 8–33.
- Panofsky, Erwin (1955), ‘Iconography and iconology: An introduction to the study of renaissance art’, in Meaning in the Visual Arts, New York: Doubleday Anchor, pp. 26–54.
- Stallabrass, Julian (2010), ‘Museum photography and museum prose’, New Left Review, 65 September/October, pp. 93–125.
- Vischer, Theodora and Naef, Heidi (2005), Jeff Wall: Catalogue Raisonné 1978–2004, Basel and Göttingen: Steidl& Schaulager.
- Wall, Jeff (2005), ‘Jeff Wall: Artist's talk’, http://channel.tate.org.uk/media/27567879001. Accessed 8 February 2012.
- Wall, Jeff and Groys, Boris (2007), ‘Boris Groys in conversation with Jeff Wall’, in Jeff Wall: Selected Essays and Interviews, New York: The Museum of Modern Art, pp. 297–303.