Works cited
- Barthes, Roland (1993), Camera Lucida: Reflections on Photography, London, Vintage. First published by Seuil in 1980.
- Celant, Germano, Fondazione Prada Milano (1998), Sam Taylor-Wood, Milan: Nava WebSpa Industria Grafica.
- Chisenhale Gallery, City of Sunderland and Jopling, Jay (1996), Sam Taylor-Wood, London: Chisenhale Gallery, City of Sunderland and Jay Jopling.
- Cleve, Gray (1971), Hans Richter by Hans Richter: Pioneer of Dada and the Experimental Film, London: Thames and Hudson.
- Foster, Stephen C. (ed.) (1998), Hans Richter: Activism, Modernism and the Avantgarde, Cambridge, MA and London:, The MIT Press.
- Gill, Carolyn Bailey (ed.) (2000), Time and the Image, The Barber Institute's Critical Perspectives in Art History series, Manchester: Manchester University Press.
- Hayward Gallery, London (2002), Sam Taylor-Wood, London: Steidl Publishers.
- Hentschel, Martin (ed.) (2000), Third Party: Sam Taylor-Wood, Stuttgart: Württembergischer Kunstverein Stuttgart, Hajtje Cantz Publishers.
- Lawson Stephen (1993), Change by Degrees, Wheeling, WV: Stifel Fine Art Center.
- Le Poidevin, Robin (2000), ‘The experience and perception of time’, in Edward N. Zalta (ed.), The Stanford Encyclopaedia of Philosophy, Fall 2000 edn., http://plato.Stanford.edu/archives/fall2000/enteries/time-experience. Accessed 21 June 2004.
- Maynard, Patrick (2000), The Engine of Visualization: Thinking Through Photography, Ithaca, NY and London: Cornell University Press. First published in 1997.
- Millar, Jeremy and Schwarz, Michiel (eds) (1998), Speed: Visions of an Accelerated Age, London: Photographers' Gallery and Trustees of the Whitechapel Art Gallery.
- NN (1965), Chinese Painting and Calligraphy from the Collection of John M. Crawford Jr., London and New York: The Art Council of Great Britain and The Pierpont Morgan Library.
- Nicolas, Christian and Weizman, Eyal (1998), Random Walk: London (Bridge), London: Architectural Association Student Union.
- Richter, Hans (1965), Hans Richter (introduction by Sir Herbert Read, autobiographical text by the artist), Neuchâtel: Edition Du Griffon.
- Rowley, George (1974), Principles of Chinese Painting, Princeton, NJ: Princeton University Press.
- Snyder, Joel and Walch, Allen Neil (1975), ‘Photography, vision and representation’, Critical Inquiry, Fall, Chicago: University of Chicago Press, pp. 143–69.
- Sturgis, Alexander (2000), Telling Time, London and New Haven, CT: National Gallery Company and Yale University Press.
- Szarkowski, John (1966), The Photographer's Eye, New York: Museum of Modern Art.