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Original Articles

Beyond ‘Cézanne's Doubt’

Pages 97-109 | Published online: 03 Jan 2014

Works cited

  • Crowther, P. (2002), The Transhistorical Image: Philosophizing Art and Its History, Cambridge: Cambridge University Press.
  • Crowther, P. (1997), The Language of Twentieth Century Art, New Haven and London: Yale University Press.
  • Crowther, P. (1993), Art and Embodiment, Oxford: Oxford University Press.
  • Mallin, S.B. (1990), ‘Chiasm, Line and Art’, in Henry Pietersma (ed.), Maurice Merleau-Ponty: Critical Essays, Washington, DC: University Press of America.
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  • Merleau-Ponty, M. (1964a), ‘Cézanne's Doubt’, Sense and Non-Sense (trans. H.L. Dreyfus and P.A. Dreyfus), Evanston, IL: Northwestern University. First published 1945.
  • Merleau-Ponty, M. (1964b), ‘Indirect Language and the Voices of Silence’ (trans. R.C. McCleary), Signs, Evanston, Illinois: Northwestern University. First published in 1952.
  • Merleau-Ponty, M. (1964c), ‘Eye and Mind’ (trans. C. Dallery), in J. Edie (ed.), The Primacy of Perception, Evanston, IL: Northwestern University Press. First published 1961.
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  • Merleau-Ponty, M. (1973), The Prose of the World (trans. J. O'Neil), London: Heinemann. First published 1969.
  • Prendeville, B. (1999), ‘Merleau-Ponty, Realism and Painting: psychological space and the space of exchange’, Art History, 22:3, pp. 364–88.

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