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Original Articles

Collecting the traces: an archivist's perspective

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Pages 175-189 | Published online: 03 Jan 2014

References

  • Beardsworth, Richard (1996), Derrida and the Political, London: Routledge.
  • Derrida, Jacques (1996), Archive Fever: A Freudian Impression, Chicago: University of Chicago Press.
  • Eco, Umberto (1998), The Name of the Rose, London: Vintage.
  • Foster, Hal (2004), ‘An Archival Impulse’, October 110(Fall), pp. 3–22.
  • Kabakov, Ilya (2006), ‘The Man Who Never Threw Anything Away’, in Charles Merewether (ed.), The Archive, Cambridge, MA: MIT Press/London: Whitechapel, pp. 32–37.
  • McShine, Kynaston (ed.) (1999), The Museum as Muse, New York, Museum of Modern Art.
  • Spender, Stephen (1970 [1946]), ‘The Making of a Poem’ in P E Vernon (ed.), Creativity: Selected Readings, London: Penguin, pp. 61–76.
  • Steedman, Carolyn (2002), Dust: The Archive and Cultural History, New Brunswick: Rutgers University Press.
  • Tufnell, Ben (ed.) (2007), Prunella Clough, London: Tate.
  • Wilson, Andrew (2002), ‘Archives are Exhausting’, in Anna Harding (ed.), Potential: Ongoing Archive Artimo/John Hansard Gallery, pp. 66–69.
  • http://www.tate.org.uk/britain/exhibitions/prunellaclough/interactive.shtm

Unpublished material

  • TGA 2005 11 Papers of Prunella Clough, Tate Archive, London.
  • 2003.19 Helen Chadwick Papers, Leeds Museums & Galleries (Henry Moore Institute).

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