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Original Articles

Considering If…Then…Else…

Pages 257-267 | Published online: 03 Jan 2014

References

  • Anger, Kenneth (1953), Eaux d'Artifice, running time: 12 minutes, starring: Camilla Salvatorelli, directed by: Kenneth Anger, Italy/USA.
  • Augé, Marc (2004), ‘The Three Figures of Oblivion’, in Oblivion, Minneapolis, MN: University of Minnesota Press, p. 81.
  • Borges, Jorge Luis (1971), Funes the Memorious, Labyrinths, Penguin Modern Classics, p. 91.
  • Borges, Jorge Luis (1998), interview with Richard Burgin 1967, ‘The Living Labarynth of Literature; Some Major Work; Nazis; Detective Stories; Ethics, Violence, and the Problem of Time…’, in Richard Burgin (ed.), Conversations, Minneapolis, University Press of Mississipi.
  • Calvino, Italo (1996), ‘Exactitude’, in Six Memos for the Next Millennium, New York: Vintage, p. 77.
  • Constable, John (1776–1837), Study of cirrus clouds about 1822, Study of clouds dated Sept. 5, 1822, visit to the Victoria & Albert Museum, London, January 2005.
  • Cruz, Juan (1997), Sancti Petri.
  • Eccentric Spaces (April 2005), group exhibition of Kenneth Anger, Edwina Ashton, Volker Eichelmann, John Riddy, Thomas Schutte and Bridget Smith at Frith Street Gallery London.
  • Eichelmann, Volker (2004), Folllies and Grottoes, ongoing project.
  • Five Billion Years (April 2004), group exhibition including Franç;ois Curlet, Philippe Decrauzat, Ceal Floyer, Tony Matelli, Jonathan Monks and Hiroshi Sugimoto, curated by Marc-Olivier Wahler, Swiss Institute, 495 Broadway, New York.
  • Floyer, Ceal (2002), Autofocus Light projection with Leica Pradovit P-150 projector and Unicol telescopic tilting stand, Dimensions variable.
  • Hofmannsthal, Hugo von (1996), quoted in Six Memos for the Next Millennium, Italo Calvino, Vintage, Exactitude, p. 77.
  • Horrocks, Christopher (September 2001), Anamorphosis Now, unpublished essay on I'm Wary, a collaboration between Mary Maclean and Sally Morflll at Five Years Gallery London.
  • Kristeva, Julia (March 2006), the theorist, the novelist with Professor Marian Hobson and Professor Stephen Frosh, on the occasion of the publication of Murder in Byzantium, French Institute.
  • Lost Horizons (May 2000), a project by Melanie Jackson, Camberwell College of Arts.
  • Sander, August (June 1997), ‘In Photography There Are no Unexplained Shadows!’, National Portrait Gallery London.
  • Young, James E. (2004), foreword to Oblivion by Marc Augé, Minneapolis, MN: University of Minnesota Press.

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