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Original Articles

On the necessity of wonder

How to explain an artwork to a committee

Pages 37-55 | Published online: 03 Jan 2014

References

  • Barlow, P. (2004), ‘At Sea: a conversation by fax between Phyllida Barlow and Alison Wilding 22.08.98 — 02.09.98’, in Barlow, P., Objects For…and Other Things, London: Black Dog Publishing.
  • Barone, T. (2001), ‘Science Art, and the Predispositions of Educational Researchers’, Educational Researcher, 30:7, http://www.aera.net/uploadedFiles/Journals_and_Publications/Journals/Educational_Researcher/3007/AERA3007_RNC_Barone.pdf. Accessed on 5 September 2006. (Barone actually uses a slightly different version of the Baldwin quote in his article than the one stated in this essay: ‘Good art […] is capable of ‘lay[ing] bare questions that have been hidden by the answers’ p. 25.)
  • Bismarck von, B. (2006), ‘Game Within the Game; Institution, Institutionalisation and Art Education’, in Moentmann, N. (ed.), Art and its Institutions, London: Black Dog Publishing.
  • Gille, V. (2005), ‘Surrealism Today, Two Books, A Few Questions and The Mood of the Times’, Papers of Surrealism, 3, www.surrealismcentre.ac.uk/publications/papers/journal3/acrobat_files/Gille.pdf. Accessed on 20 July 2006.
  • Hill, Gary (1994), Remarks on Colour, single channel video projection, 43 min, 13 sec, exhibited at Tate Modern, London, viewed on 20 August 2006.
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  • Leader, D. (2005), ‘Sleep of Reason, Unconscious Desire, Self-destruction and Despair […] Have Long Been an Inspiration for Artists and Writers’, The Guardian, 19 November.
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  • Muniz, V. (2006), Reflex, a Vik Muniz Primer, New York: Aperture Foundation.
  • Olalquiaga, C. (2005), Object Lesson/Transitional Object, in Cabinet magazine, 20, pp. 7–11
  • Sanderson, M. (2006), The Wrong End of Art, in ‘The Wrong End of the Telescope’, London, Three Colts Gallery.
  • Sullivan, G. (2005), Art Practice as Research, Inquiry in the Visual Arts, Thousand Oaks CA, London, New Dehli: Sage Publications.
  • Tate Modern: http://www.tate.org.uk/modern/explore. Accessed 22 August 2006.
  • Vermeer, Johannes, c.1662–63, Woman Reading a Letter, oil on canvas, 46.5 x 39cm. Exhibited at Rijksmuseum Amsterdam.
  • Richard Wentworth in conversation with Roger Malbert (1988), in Thoughts on Paper, in National Touring Exhibitions/Hayward Gallery, Richard Wentworth's ‘Thinking Aloud’, London, Camden Arts Centre.
  • Weschler L. (1996), Mr. Wilson's Cabinet of Wonder, Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology, New York: Vintage Books.

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