References
- Adorno, T., Frankel-Brunswick, E., Levinson, D. and Nevit Sanford, R. (1994), The Authoritarian Personality, New York: W W Norton and Company.
- Barthes, R. (1977), Image-Music-Text, trans. S. Heath, London.
- Bell, D. (2007), AV Pd.D talk given at University of Sussex, 4th June.
- Bewes, T. (1997), Cynicism and Postmodernity, London: Verso.
- Blanchot, M. (1992), The Infinite Conversation, trans. Susan Hanson, Minneapolis: University of Minnesota Press.
- Bordwell, D. (1991), Making Meaning, Harvard: Harvard University Press.
- Bordwell, D. and Carroll, N. (1996), Post Theory, Wisconsin: University of Wisconsin Press.
- Burgin, V. (2006), ‘Thoughts on Research Degrees in Visual Arts Departments’, Journal of Media Practice, 7:2.
- Cubitt, S. and Yeatman, B. (2005), ‘Critical and Creative Media Studies and the Embedded Learning Environment’, New Review of Film and Television Studies, 3:1, pp. 1–14.
- Culler, J. (1988), Framing the Sign: Criticism and its Institutions, Oklahoma: University of Oklahoma Press.
- Deleuze, G. and Guattari, F. (1994), What is Philosophy?, trans. G. Burchill and H. Tomlinson, London: Verso.
- Diggins, J. (1994), The Promise of Pragmatism, Chicago: University of Chicago Press.
- Docherty, T. (1996), After Theory, Edinburgh: Edinburgh University Press.
- Durant, A. (2000), ‘What Future for Interpretive Work in Film and Media Studies?’, Screen, 41.1, pp. 7–17.
- Eagleton, T (1990), The Ideology of the Aesthetic, Oxford: Blackwell.
- Eagleton, T. (2004), After Theory, Harmondsworth: Penguin.
- Foucault, M. (1990), The History of Sexuality Vol. 3: The Care of the Self, trans. Robert Hurley, Harmondsworth: Penguin.
- Gauntlett, D. (2007), Creative Explorations: New Approaches to Audiences and Identities, London: Routledge.
- Gledhill, C. and Williams, L. (2000), Reinventing Film Studies, London: Hodder Arnold.
- Habermas, J. (1990), The Philosophical Discourse of Modernity, trans. Frederick Lawrence, Cambridge: Polity.
- Harris, W. (1996), Beyond Poststructuralism, Pennsylvania: Penn State University Press.
- Hoy, D. and McCarthy, T. (1994), Critical Theory, Oxford: Blackwell.
- James, W. (1988) Pragmatism Indianapolis: Hackett.
- Jameson, F. (1992), Postmodernism: Or, the Cultural Logic of Late Capitalism, London: Verso.
- Johnson, M. (2007), The Meaning of the Body: the Aesthetics of Human Understanding, Chicago: University of Chicago Press.
- Kerr, P. (2007), Interview with the author, 15th November.
- Kerr, P. (2008), ‘Channel 4 Dossier Introduction: thinking outside the box’, Screen, 49:3, pp. 316–323.
- Lambert, G. (2002), The Non-Philosophy of Gilles Deleuze, London: Continuum.
- Lindahl Elliot, N. (2000), ‘Pedagogic discourse in theory-practice courses in Media Studies’, Screen 41:1, pp. 18–32.
- McQuillan, M. (1996), Post Theory, Edinburgh: Edinburgh University Press.
- Nowell-Smith, G. (2007), ‘In Conversation with Geoffrey Nowell-Smith’, Film Waves, Issue 33, pp. 30–35.
- Payne, M. and Schad, J. (eds) (2003), Life.after.theory, London: Continuum.
- Pollock, G. (2003) ‘Visual culture and its discontents: joining in the debate’, Journal of Visual Culture, Vol. 2, no. 2.
- Poster, M. (1989), Critical Theory and Poststructuralism: In Search of a Context, Ithaca: Cornell University Press.
- Roberts, J. (2007), The Intangibilities of Form: Skill and Deskilling in Art After the Readymade, London: Verso.
- Rorty, R. (1989), Contingency, Irony, and Solidarity, Cambridge: Cambridge University Press.
- Sartre, J-P. (1974), Existentialism and Humanism, trans. P. Miret, London: Methuen.
- Sennett, R. (2008), The Craftsman, London: Allen Lane.
- Sutton, D. and Martin-Jones, D. (2008), Deleuze Reframed, London: I.B. Tauris.
- Thomspon, E. and Thompson, D. (1996), The Poverty of Theory: An Orrery of Errors, London: Merlin Press.
- West, R. (2007), ‘Teenage Girls at the Edge of Cities…’, Source Autumn, Issue 52, pp. 32–35.
- Wheeler, W. (2006), The Whole Creature: Complexity, Biosemiotics and the Evolution of Culture, London: Lawrence and Wishart.