References
- Betterton, Rosemary (ed.) (2004), Unframed: The Practices and Politics of Women's Contemporary Painting, London: I.B. Tauris.
- Fortnum, Rebecca and Houghton, Gillian (1989), ‘Women and Contemporary Painting: Re-Presenting Representation’, Women's Artists Slide Library Journal, 28.
- Harris, J. (ed.) (2003), Critical Perspectives on Contemporary Painting: Hybridity, Hegemony, Historicism, Liverpool: Tate Gallery.
- Jones, L. C. (1993), ‘Transgressive Femininity: Art and Gender in the Sixties and Seventies’, in J. Ben Levi, C. Houser, L.C. Jones and S. Taylor, Abject Art: Repulsion and Desire in American Art, New York: Whitney Museum of American Art.
- Mitchell, W. J. T. (1994), Picture Theory, Chicago: University of Chicago Press.