120
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

On the limits of negation in Badiou's theory of art

Pages 271-282 | Published online: 03 Jan 2014

References

  • Adorno, T. W. (1984), Aesthetic Theory (trans. C. Lenhardt), London: Routledge & Kegan Paul.
  • Badiou, A. (2005), Handbook of Inaesthetics (trans. Alberto Toscano), Stanford: Stanford University Press.
  • Badiou, A. (2006), ‘Third Sketch of a Manifesto of Affirmationist Art’, Polemics (translated and introduced by Steve Corcoran), London and New York: Verso.
  • Badiou, A. (2007a), The Century (translated with a commentary and notes by Alberto Toscano), Cambridge: Polity Press.
  • Badiou, A. (2007b), ‘Destruction, Negation, Subtraction — on Pier Paolo Pasolini’, Graduate Seminar, Art Center College of Design, Pasedena, February 2007, available at http://www.lacan.com/badpas.htm
  • Badiou, A. (2008), ‘Three Negations’, Cardozo Law Review, 29:5, available at http://www.cardozolawreview.com/PastIssues/BADIOU.29.5.pdf
  • Benjamin, A. (1991), Art, Mimesis and the Avant-Garde, London and New York: Routledge.
  • Dunayeskaya, R. (2002), The Power of Negativity: Selected Writings on the Dialectic in Hegel and Marx, edited and introduced by Peter Hudis and Kevin B. Anderson, Boston and Oxford: Lexington Books.
  • Foster, H. (1994), 'What's Neo About the Neo-Avant-Garde, October, 70, Fall.
  • Fried, M. (2008), Why Photography Matters as Art as Never Before, New Haven: Yale University Press.
  • Hallward, P. (2003), A Subject to Truth, foreword by Slavoj Zizek, Minneapolis and London: University of Minnesota Press.
  • Hallward, P. (2004), Think Again: Alain Badiou and the Future of French Philosophy, London: Continuum.
  • Hegel, G. W. F. (1975), Hegel's Logic, translated by William Wallace with a foreword by J.N. Findlay, Oxford: Oxford University Press.
  • Hegel, G. W. F. (1977), Phenomenology of Spirit, translated by A.V. Miller and foreword by J.N. Findlay, Oxford: Oxford University Press.
  • Luhmann, N. (2000), Art as a Social System (trans. by Eva M. Knodt), Stanford: Stanford University Press.
  • Martin, S. (2005), ‘Culs-de-sac’, Radical Philosophy, 131, May/June.
  • Martin, S. (2007a), ‘The Absolute Artwork Meets the Absolute Commodity’, Radical Philosophy, 146, Nov/Dec.
  • Martin, S. (2007b), ‘Critique of Relational Aesthetics’, Third Text, 21:4
  • Nancy J.-L. (2002), Hegel: The Restlessness of the Negative (transl. Jason Smith and Steven Miller), Minneapolis and London: University of Minnesota Press.
  • Noys, B. (2009), ‘Monumental Construction: Badiou and the Politics of Aesthetics’, in J.
  • Rancière, J. (2004), The Politics of Aesthetics: The Distribution of the Sensible (trans. Gabriel Rockhill), London and New York: Continuum Books.
  • Roberts, J. (2007a), ‘The Avant-Garde After Avant-Gardism’, Chto Delat, p. 17.
  • Roberts, J. (2007b), The Intangibilities of Form: Skill and Deskilling in Art After the Readymade, London and New York: Verso.
  • Roberts, J. (2009), forthcoming, ‘Art and Its Negations’, in J. Roberts ed., ‘Art, Praxis, and the ‘Community to Come’ Third Text.
  • Roberts, J. (2009) (ed.), forthcoming ‘Art, Praxis and the ‘Community to Come’’, Third Text.
  • Zizek, S. (2008), In Defence of Lost Causes, London and New York: Verso.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.