REFERENCES
- Agamben, Giorgio (1993), The Coming Community (La comunitá che viene), Minneapolis: University of Minnesota Press.
- Bersani, Leo and Dutoit, Ulysse (2004), Forms of Being: Cinema, Aesthetics, Subjectivity, London: British Film Institute.
- Foucault, Michel (1966), Lets mots et les choses (Words and Things), Paris: Éditions Gallimard.
- Furet, Francois (2007), ‘La Révolution, de Turgot á Jules Ferry: 1770–1880’, in Francois Furet (ed.), La Revolution Francaise, Paris: Éditions Gallimard.
- Grimm, Sabine and Ronneberger, Klaus (2007), ‘An invisible history of work: Interview with Sergio Bologna’, by on precariousunderstanding.blogsome. com, http://precariousunderstanding.blogsome.com/2007/05/02/an-invisible-history-of-work/. Accessed 31 October 2010.
- Jordan, John (1998), ‘The Art of Necessity: The Subversive Imagination of Anti-road Protest and Reclaim the Streets’, in George McKay (ed.), DiY Culture, Party & Protest in Ninties Britain, London: Verso Press.
- Latta, Claude (ed.) (2004), La commune de 1871: Lévénement, les hommes et la mémoire (The commune of 1871: The event, the men and the memory), Saint- Etienne: Publications de l'Université de Saint-Étienne.
- Michel, Louise (1999), La commune. Histoire et souvenirs (The commune: History & memories) [1898], Paris: Editions La Découverte.
- Scheler, Max ([1912] 1978), Das Ressentiment im Aufbau der Moralen (Resentment in the Construction of Moralities), Frankfurt am Main: Vittorio Klostermann.
- Silverman, Kaja (2000), World Spectators, Stanford: Stanford University Press.
- Silverman, Kaja (2002), ‘Exhibition Schedule: Melancholia 2’, in Gaensheimer Susanne and Helmut Friedl (eds), James Coleman (exhib.cat.), Lenbachhaus Munich.
- Tillier, Bertrand (2004), La Commune de Paris: Révolution sans images? (The Paris Commune: Revolution without images?), Paris: Champ Vallon.
- Zupančič, Alenka (2008), The Odd One In: On Comedy, Cambridge, Mass., and London: MIT Press.