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Original Articles

Whose Dreaming? Intercultural appropriation, representations of Aboriginality, and the process of film-making in Werner Herzog's Where the Green Ants Dream (1983)

(Lecturer in European studies)
Pages 175-190 | Published online: 06 Jan 2014

References

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  • Anon. (1984), ‘Herzog plays fast and loose in his dreaming version’, Sun Herald (NSW), 12 Aug, 115.
  • Anon. (1985), ‘Understanding the Dream of Green Ants’, Adelaide Advertiser, 4 May, n.p. (included in AFI Cinedossier, Where the Green Ants Dream, p. 5).
  • Attwood, B. and Markus, A. (1999), The Struggle for Aboriginal Rights: A Documentary History, Crows Nest, NSW: Allen and Unwin.
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  • Elsaesser, T. (1986), An Anthropologist's Eye: Where the Green Ants Dream,' in T. Corrigan (ed.), The Films of Werner Herzog: Between Mirage and History, New York and London: Methuen, pp. 133–56.
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  • Hurley, A.W. (2006a), ‘Jazz Meets the World: Joachim-Ernst Berendt and his contribution to West-German cultural change, 1945–1985,’ unpublished Ph.D. dissertation, University of Melbourne.
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  • Langton, M. (1993), ‘Well, I Heard it on the Radio and I Saw it on the Television…’ An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things, North Sydney: Australian Film Commission.
  • Lewis, A. (1995), ‘Dreamtime in Germany: Images of Australia and Indigenous Peoples in German New Cinema,’ in M. Jurgensen (ed.), German-Australian Cultural Relations Since 1945, Bern: Peter Lang, pp. 257–72.
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  • Readings, B. (1992), ‘Pagans, Perverts or Primitives? Experimental Justice in the Empire of Capital,’ in A. Benjamin (ed.), Judging Lyotard, London: Routledge, pp. 168–91.
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  • Sullivan, W. (1984), ‘Pitting Mythology Against the Miners’, Daily Telegraph, 26 July, p. 39.
  • Thomas, K. (1985), ‘Myth vs. Technology in “Green Ants Dream”’, Los Angeles Times, 5 April (included in AFI Cinedossier, Where the Green Ants Dream).
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