Three takes on intercultural film: Michael Edols' trilogy of Aboriginal films: Lalai Dreamtime; Floating, Like Wind Blow 'em About—This Time; and When the Snake Bites the Sun

References

• Anon (1973), ‘Grant for W.A. film’, The West Australian, 1 September, n.p. (included in the AFI Cinedossier, When the Snake Bites the Sun).
   Google Scholar
• Anon (1975), Review of Lalai and Floating, Variety, 5 November, p. 18.
   Google Scholar
• Anon (1978a), ‘Träume von früher [Dreams of time past]’, Berlinale-tip, 2, p. 5.
   Google Scholar
• Anon (1978b), ‘Traumzeit und Jetztzeit [Dreamtime and Nowtime]’, Süddeutsche Zeitung, 26 October, p. 10.
   Google Scholar
• Blundell, V. and Woolagoodja, D. (2005), Keeping the Wanjinas Fresh: Sam Woolagoodja and the Enduring Power of Lalai, Freemantle, W.A.: Fremantle Arts Centre Press.
   Google Scholar
• Crawford, I. (2001), We Won the Victory, Freemantle, W.A.: Fremantle Arts Centre Press.
   Google Scholar
• Eaton, M. (ed.) (1979), Anthropology-Reality-Cinema: The Films of Jean Rouch, London: British Film Institute.
   Google Scholar
• Edols, M. (2005), Wandjina Wisdom: In the Dawn of the First Light, 11th draft, May 2005, typescript in the possession of A. Hurley.
   Google Scholar
• Edols, M. (2006) personal interview with A. Hurley, 12–13 December.
   Google Scholar
• Fieschi, J.-A. (1979), ‘Slippages of Fiction: Some Notes on the Cinema of Jean Rouch’, in M. Eaton (ed.), Anthropology-Reality-Cinema, London: British Film Institute, pp. 67–77.
   Google Scholar
• Hawke, S. (1989), Noonkanbah: Whose land, Whose Law?, Freemantle, W.A.: Fremantle Arts Centre Press.
   Google Scholar
• Hayward, S. (2006), Cinema Studies: The Key Concepts, 3rd ed., London and New York: Routledge.
   Google Scholar
• Herzog, W. (1978a), ‘Faszination um ein Sterben [Fascination with a dying]’, Süddeutsche Zeitung, 1–2 April, p. 14.
   Google Scholar
• Herzog, W. (1978b), ‘Herzog Enters Dreamtime’, Berlinale-tip, 5, pp. 10–11.
   Google Scholar
• Hill, B. (2002), Broken Song: T. G. H. Strehlow and Aboriginal Possession, Milson's Point, N.S.W.: Knopf.
   Google Scholar
• Hurley, A. W. (2007), ‘Whose Dreaming? Intercultural Appropriation, Representations of Aboriginality and the Process of Film-making in Werner Herzog's Where the Green Ants Dream’, Studies in Australasian Cinema, 1: 2, pp. 175–90.
   Google Scholar
• Kerr, I. (2007) e-mail to A. Hurley, 19 October.
   Google Scholar
• Langton, M. (1993), ‘Well I heard it on the Radio and I saw it on the Television…’ An Essay for the Australian Film Commission on the Politics and Aesthetics of Film-making by and about Aboriginal People and Things, North Sydney: Australian Film Commission.
   Google Scholar
• Leser, D. (1985), ‘Michael Edols' sacred mission’, The Australian Magazine, 16–17 November, p. 12.
   Google Scholar
• Moir, B. (1978) Film Australia letter of recommendation re. M. Edols, 1 February, in the possession of A. Hurley.
   Google Scholar
• Pedersen, H. and Woorunmurra, B. (2000), Jandamarra and the Bunuba Resistance, 2nd ed., Broome, W.A.: Magabala Books.
   Google Scholar
• Peters-Little, F. (2002), ‘On the Impossibility of Pleasing Everyone: the Legitimate Role of White Film-makers Making Black Films’, Art Monthly Australia, 149(May), pp. 5–9.
   Google Scholar
• Ruby, J. (1975), ‘Is an Ethnographic Film a Filmic Ethnography?’, Studies in the Anthropology of Visual Communication, 2: 2, pp. 104–111.
   Google Scholar
• Scheckels, T. (2002), Celluloid Heroes Down Under: Australian Film, 1970–2000, Westport, Connecticut and London: Praeger.
   Google Scholar
• Schieffelin, E. and Schieffelin, B. (1974), review of Tidikawa and Friends and The Spirit World of Tidikawa, American Anthropologist, 76: 3 (Sept.), pp. 710–14.
   Google Scholar
• Stoller, P. (1992), The Cinematic Griot: The Ethnography of Jean Rouch, Chicago: University of Chicago Press.
   Google Scholar
• Van Niekerk, M. (1986), ‘Film as Custodian of Tribal Values’, The West Australian, 31 July, n.p. (included in the AFI Cinedossier, When the Snake Bites the Sun).
   Google Scholar
• Woolagoodjah, S. (1975), Lalai Dreamtime, North Sydney: Aboriginal Arts Board, Australia Council.
   Google Scholar