‘Small-fry’: suburban decline and the global outback in recent Asian Australian cinema

References

• Agamben, G. (1998), Homo Sacer: Sovereign Power and Bare Life, Stanford, CA: Stanford University Press.
   Google Scholar
• Bergson, H. (1911), Creative Evolution, New York: Henry Holt and Company.
   Google Scholar
• Canclini, N. Garcia (1992), ‘Remaking Passports: Visual Thought in the Debate on Multiculturalism’, in P. Donald and F. Claire (eds) (2004), Grasping the World: the Idea of the Museum, London: Ashgate.
   Google Scholar
• Carruthers, A. (1995), 'Rethinking the Vietnamese-Media Relation, Australian Journal of Communication, 22: 1, pp. 48–61.
   Google Scholar
• Chen, K.-H. (2000), ‘The Imperialist Eye: The Cultural Imaginary of a Subempire and a Nation-State’, positions, 8, pp. 9–76.
   Web of Science ®Google Scholar
• Cunningham, S. and Sinclair, J. (eds) (2000), Floating Lives: The Media and Asian Diasporas, St Lucia: University of Queensland Press.
   Google Scholar
• Deleuze, G. (1986), Cinema 1: The Movement-Image (trans. H. Tomlinson and B. Habberja), London: The Athlone Press.
   Google Scholar
• Deleuze, G. (1989), Cinema 2: The Time-Image (trans. H. Tomlinson and R. Galeta), London: The Athlone Press.
   Google Scholar
• Derrida, J. (1985), ‘Des Tours de Babel’, in J. F. Graham (ed.), Difference in Translation, Ithaca, NY: Cornell University Press, pp. 165–207.
   Google Scholar
• Do, Khoa (2003), The Finished People, Sydney: Post 75' Productions.
   Google Scholar
• Elsaesser, T. (2004), ‘The New Film History as Media Archeology’, in Cinémas: Histoires croisées des images, Objets et methods, 14: 2–3, pp. 75–117.
   Google Scholar
• Friedman, T. (1999), The Lexus and the Olive Tree: Understanding Globalization, New York: Farrar, Straus and Giroux.
   Google Scholar
• Furphy, J. ['Collins, Tom'] ([1903] 1956), Such is Life, Melbourne: Angus and Robertson.
   Google Scholar
• Garnham, N. (2005), ‘From Cultural to Creative Industries’, International Journal of Cultural Policy, 11: 1, pp. 15–29.
   Google Scholar
• Gibson, R. (1992), South of the West: Postcolonialism and the Narrative Construction of Australia, Bloomington: University of Indiana Press.
   Google Scholar
• Gilbert, H., Khoo, T. and Lo, J. (eds), Diaspora: Negotiating Asian-Australia, St Lucia: University of Queensland Press.
   Google Scholar
• Grace, H. (1995), ‘Everywhere Toilet: Defilement—the View in Wide Shot’, in G. Hage, J. Lloyd and L. Johnson (eds), Inquiry into the State of Anglo-Saxonness in the Nation, Communal/Plural, 4, pp. 131–43.
   Google Scholar
• Grace, H. (2007), ‘Monuments and the Face of Time: Distortions of Scale and Asynchrony in Postcolonial Hong Kong’, Postcolonial Studies, 10: 4, pp. 467–83.
   Google Scholar
• Hage, G. (2000), White Nation: Fantasies of White Supremacy in a Multicultural Society, Sydney: Pluto Press.
   Google Scholar
• Hardaker, D. (1997), Four Corners, Australian Broadcasting Corporation, 8 April, http://www.abc.net.au/4corners/stories/s72739.htm. Accessed 17 September 2006.
   Google Scholar
• Internet Movie Database (2008), Dustin Nguyen, http://www.imdb.com/name/nm0629006/filmoyear. Accessed 4 July 2008.
   Google Scholar
• Jackson, L. (2004), 'Interview with John Howard, Four Corners, Australian Broadcasting Corporation, 19 February, http://www.abc.net.au/4corners/content/2004/s1212701.htm. Accessed 15 March 2008.
   Google Scholar
• Khoo, O. (2006), ‘Telling Stories: The Sacrificial Asian in Australian Cinema’, Journal of Intercultural Studies, 27: 1/2, pp. 45–63.
   Google Scholar
• Law Wing-sang (2000), ‘Northbound Colonialism: A Politics of Post—PC Hong Kong’, positions, 8: 1, pp. 201–33.
   Google Scholar
• Lucky Miles Official Website (2008), http://www.luckymiles.com.au. Accessed 17 September 2006.
   Google Scholar
• Lucky Miles Production Notes (2008), http://www.thecia.com.au/reviews/l/images/lucky-miles-production-notes.rtf. Accessed 20 February 2008.
   Google Scholar
• Lo, J. (2006), ‘Disciplining Asian Australian Studies: Projects and Introjections’, Journal of Intercultural Studies, 27: 1/2, pp. 11–27.
   Google Scholar
• Macintyre, S. (2001), ‘Temper Democratic: Bias Australian, 100 years of the Australian Labor Party’, in P. Craven (ed.), The Best Australian Essays 2001, Melbourne: Black Inc., pp. 161–76.
   Google Scholar
• Macintyre, S. and Clark, A. (2003), The History Wars, Melbourne: Melbourne University Press.
   Google Scholar
• Morris, M., Siu-Leung Li and Chan, S. (eds) (2005), Hong Kong Connections: Transnational Imagination and Action Cinema, Durham, NC: Duke University Press/Hong Kong University Press.
   Google Scholar
• New South Wales Film and Television office (2008), Aurora Script Workshop, http://www.fto.nsw.gov.au/fund.asp?Id=219&subID=1. Accessed 8 February 2008.
   Google Scholar
• Rodowick, D. N. (2007), The Virtual Life of Film, Cambridge, MA: Harvard University Press.
   Google Scholar
• Rowland, M. J. (2007), Lucky Miles, Australia: Short of Easy Production.
   Google Scholar
• Ross, A. (2007), ‘Nice Work if You Can Get It: The Mercurial Rise of Creative Industries Policy’, in Geert Lovink and Ned Rossiter (eds), My Creativity Reader: A Critique of Creative Industries, Amsterdam: Institute of Network Cultures.
   Google Scholar
• Sassen, S. (1996), ‘Analytical Borderlands: Race, Gender and Representation in the New City’, in A. King (ed.), Re-Presenting the City: Ethnicity, Capital and Culture in the Twenty First Century Metropolis, Houndmills, Basingstoke: Macmillan.
   Google Scholar
• Senate Select Committee Report on A Certain Maritime Incident (2002), 23 October, http://www.aph.gov.au/senate/committee/maritime_incident_ctte/report/f04.htm. Accessed 4 July 2008.
   Google Scholar
• Screen Australia (2008), ‘Khoa Do, director of The Finished People: a Marketing Case Study for Independent Filmmakers’, http://www.afc.gov.au/newsandevents/afcnews/converse/khoado/newspage_150.aspx. Accessed 8 February 2008.
   Google Scholar
• Smaill, B. (2003), ‘Commissioning Difference? The Case of SBS Independent and Documentary’, Media International Australia, 107, pp. 105–16.
   Google Scholar
• Smaill, B. (2007), ‘Loss and Transformation: Mourning and The Finished People’, Journal of Film and Video, 59: 3 (Fall), pp. 32–45.
   Google Scholar
• Veblen, T. (1898–99), ‘The Instinct of Workmanship and the Irksomeness of Labor’, American Journal of Sociology, 4, pp. 187–201.
   Google Scholar
• Woods, R. (2005), Little Fish, Sydney: Porchlight Films.
   Google Scholar
• Yu, Ouyang (2003), Bias: Offensively Chinese/Australian, Melbourne: Otherland Publishing.
   Google Scholar
• Yue, A. (2000), ‘Asian-Australian Cinema, Asian-Australian Modernity’, in H. Gilbert, T. Khoo and J. Lo (eds), Diaspora: Negotiating Asian-Australia, St Lucia: University of Queensland Press.
   Google Scholar
• Yue, A. and Hawkins, G. (2000), ‘Going South,’ New Formations, 40, pp. 49–63.
   Google Scholar