REFERENCES
- Asad, Talal (2003), Formations of the Secular: Christianity, Islam, Modernity, Stanford: Stanford University Press.
- Bartlett, Alison (2001), ‘Desire in the desert: Exploring contemporary Australian desert narratives’, Antipodes, 15: 2, pp. 119–23.
- Bouma, Gary (2006), Australian Soul: Religion and Spirituality in the Twenty-first Century, Port Melbourne: Cambridge University Press.
- Brault, Pascale-Anne and Naas, Michael (eds) (2003), ‘Introduction’, in Jacques Derrida, The Work of Mourning, Chicago and London: University of Chicago Press, pp. 1–30.
- Bruzzi, Stella (2000), ‘Holy Smoke’, Sight & Sound, British Film Institute, http://www.bfi.org.uk/sightandsound/review/389. Accessed 17 September 2006.
- Butler, Judith (2004), Precarious Life: The Powers of Mourning and Violence, London and New York: Verso.
- Campion, Jane (1989), Sweetie, Melbourne: Arenafilm.
- Campion, Jane (1999a), Holy Smoke, Sydney: Village Roadshow.
- Campion, Jane (1999b), ‘The Religion Report’, ABC Radio National, 22 December, http://www.abc.net.au/rn/talks/8.30/relrpt/stories/s75034.htm. Accessed 17 September 2006.
- Cheng, Anne Anlin (2001), The Melancholy of Race: Psychoanalysis, Assimilation, and Hidden Grief, Oxford and New York: Oxford University Press.
- Collins, Felicity (2002), ‘Brazen brides, grotesque daughters, treacherous mothers: Women's funny business in Australian cinema from Sweetie to Holy Smoke’, Senses of Cinema, 23, http://esvc001106.wic016u.serverweb.com/contents/02/23/women_funny_oz.html. Accessed 29 December 2008.
- Connolly, William E. (1999), Why I Am Not a Secularist, Minneapolis and London: University of Minnesota Press.
- Creed, Barbara (2002), ‘Horror and the monstrous-feminine: An imaginary abjection’, in Mark Jancovich (ed.), Horror: The Film Reader, London and New York: Routledge, pp. 67–76.
- Dalziell, Tanya (2005), ‘An ethics of mourning: Gail Jones's Black Mirror’, Journal of the Association for the Study of Australian Literature, 4: 1, pp. 49–61.
- Derrida, Jacques (2003), “Louis Marin (1931–92): By force of mourning”, in Pascale-Anne Brault and Michael Naas (eds), The Work of Mourning, Chicago and London: University of Chicago Press, pp. 139–64.
- Diamond, Neil (1969), ‘Holly Holy’, Touching You, Touching Me, New York: Universal City Records.
- Eng, David and Kazanjian, David (eds) (2003), Loss: The Politics of Mourning, Berkeley: University of California Press.
- Hogan, P. J. (1994), Muriel's Wedding, Sydney: Roadshow.
- Hussain, Jamila (2001), “Islam and the West: the Australian experience”, in Joseph A. Camilleri (ed), Religion and Culture in Asia Pacific: Violence or Healing?, Melbourne: Pax Christi, pp. 93–101.
- Jakobsen, Janet R. and Pellegrini, Ann (eds) (2003), Love the Sin: Sexual Regulation and the Limits of Religious Tolerance, New York and London: New York University Press.
- Jakobsen, Janet R. and Pellegrini, Ann (eds) (2008), Secularisms, Durham and London: Duke University Press.
- Kapferer, Judith (1996), Being All Equal: Identity, Difference and Australian Cultural Practice, Oxford: Berg.
- McHugh, Kathleen (2007), Jane Campion, Urbana and Chicago: University of Illinois Press.
- Morissette, Alanis (1995), ‘You oughta know’, Jagged Little Pill, New York: Maverick.
- Murphy, Kathleen (2000), ‘Jane Campion's passage to India’, Film Comment, 36: 1, pp. 30–36.
- Polan, Dana (2001), Jane Campion, London: British Film Institute.
- Ricciardi, Alessia (2003), The Ends of Mourning: Psychoanalysis, Literature and Film. Stanford: Stanford University Press.
- Rose, Gillian (1996), Mourning Becomes the Law: Philosophy and Representation, Cambridge: Cambridge University Press.
- Sinclair, Jennifer (2004), ‘Spirituality and the (secular) ordinary Australian imaginary’, Continuum: Journal of Media and Cultural Studies, 18: 2, pp. 279–93.
- The Shirelles (1993), ‘Baby it's you’, Baby It's You, Coxsackie: Sundazed.