Beyond empire: Australian cinematic identity in the twenty-first century

REFERENCES

• Alomes, S. (1981), ‘The satellite society’, Journal of Australian Studies, Issue 9, pp. 2–20.
   Google Scholar
• Bell, P. and Bell, R. (eds) (1998), Americanization and Australia, Sydney: University of New South Wales Press.
   Google Scholar
• Beresford, B. (1972), The Adventure of Barry McKenzie (feature film), Australia: Longford Productions.
   Google Scholar
• Beresford, B. (1974), Barry McKenzie Holds His Own (feature film), Australia: Reg Grundy Productions.
   Google Scholar
• Brooks, S. (2003), Japanese Story (feature film), Australia: Gecko Films.
   Google Scholar
• Burstall, T. (1971), Stork (feature film), Australia: Bilcock & Copping Film Productions and Tim Burstall & Associates.
   Google Scholar
• Burstall, T. (1973), Alvin Purple (feature film), Australia: Hexagon Productions.
   Google Scholar
• Collins, F. (2007), ‘Kenny: The return of the decent Aussie bloke in Australian film comedy’, Metro, Issue 154, pp. 84–90.
   Google Scholar
• Conrad, P. (2004), ‘Lecture 5: Austerica’, Boyer Lectures, http://www.abc.net.au/rn/boyerlectures/stories/2004/1260603.htm. Accessed 28 April 2010.
   Google Scholar
• Cornell, J. (1988), Crocodile Dundee II (feature film), Australia/USA: Rimfire Films/Paramount Pictures.
   Google Scholar
• Davidson, J. (2005), ‘De-dominionisation revisited’, Australian Journal of Politics and History, 51: 1, pp. 108–13.
   Google Scholar
• Faiman, P. (1986), Crocodile Dundee (feature film), Australia: Rimfire Films.
   Google Scholar
• Haigh, G. (2006), ‘British rules: Why we're still more English than American’, The Monthly, Issue 18, pp. 28–36.
   Google Scholar
• Hardt, M. and Negri, A. (2000), Empire, Cambridge and London: Harvard University Press.
   Google Scholar
• Hartley, M. (2008), Not Quite Hollywood: The wild, untold story of Ozploitation! (documentary), Australia: City Films Worldwide.
   Google Scholar
• Hogan, P. J. (1994), Muriel's Wedding (feature film), Australia: House & Moorhouse Films.
   Google Scholar
• Huijser, H. (2009), ‘The Aussie battler personified: Why everyone loves Kenny’, Post Script, 28: 3, pp. 58–67.
   Google Scholar
• Jacobson, C. (2006), Kenny (feature film), Australia: Thunderbox Films.
   Google Scholar
• Jacobson, C. (2008), Kenny's World (television series), Australia: Thunderbox TV.
   Google Scholar
• Kokkinos, A. (1998), Head On (feature film), Australia: Head On Productions.
   Google Scholar
• Luhrmann, B. (1992), Strictly Ballroom (feature film), Australia: M&A Productions.
   Google Scholar
• Manne, R. (2006), 'Little America: How John Howard has changed the country, The Monthly, Issue 10, pp. 20–32.
   Google Scholar
• McCarthy, G. (2001), ‘Caught between Empires: Ambivalence in Australian Film’, Critical Arts, 15: 1–2., pp. 26–38.
   Google Scholar
• Miller, G. (1979), Mad Max (feature film), Australia: Kennedy Miller Productions.
   Google Scholar
• Miller, G. (1982), The Man from Snowy River (feature film), Australia: Cambridge Productions and Michael Edgley International.
   Google Scholar
• Miller, G., Coleman, W., and Morris, J. (2006), Happy Feet (feature film), Australia/USA: Kennedy Miller Productions/Warner Bros. Pictures.
   Google Scholar
• Milner, L. (2009), ‘Kenny: The evolution of the battler figure in Howard's Australia’, Journal of Australian Studies, 33: 2, pp. 153–64.
   Web of Science ®Google Scholar
• Morris, M. (1987), ‘Tooth and claw: Tales of survival, and Crocodile Dundee’, Art & Text, Issue 25, pp. 36–68.
   Google Scholar
• Mosler, D. (2002), Australia: The Recreational Society, Westport and London: Praeger.
   Google Scholar
• O'Regan, T. (1996), Australian National Cinema, London and New York: Routledge.
   Google Scholar
• Pender, A. (2005), ‘The mythical Australian: Barry Humphries, Gough Whitlam and “New Nationalism”’, Australian Journal of Politics and History, 51: 1, pp. 67–78.
   Web of Science ®Google Scholar
• Rattigan, N. (1988), ‘”Crocodile Dundee”: Apotheosis of the Ocker’, Journal of Popular Film and Television, 15: 4, pp. 148–55.
   Google Scholar
• Serle, G. (1967), ‘Godzone: Austerica unlimited?’, Meanjin, 26: 3, pp. 237–50.
   Google Scholar
• Sitch, R. (1997), The Castle (feature film), Australia: Working Dog.
   Google Scholar
• Sitch, R. (2000), The Dish (feature film), Australia: Working Dog.
   Google Scholar
• Thornton, W. (2009), Samson and Delilah (feature film), Australia: Scarlett Pictures and CAAMA Productions.
   Google Scholar
• Turner, G. (1994), ‘The end of the national project?: Australian cinema in the 1990s’, in W. Dissanayake (ed.), Colonialism and Nationalism in Asian cinema, Bloomington: Indiana University Press, pp. 202–16.
   Google Scholar
• Ward, S. (2005a), ‘”Post-Imperial” Australia: Introduction’, Australian Journal of Politics and History, 51: 1, pp. 1–5.
   Web of Science ®Google Scholar
• Ward, S. (2005b), ‘”Culture up to our Arseholes”: Projecting post-imperial Australia’, Australian Journal of Politics and History, 51: 1, pp. 53–66.
   Web of Science ®Google Scholar
• Weir, P. (1981), Gallipoli (feature film), Australia: Associated R & R Films.
   Google Scholar
• Weiss, J. (1989), The Asian Century: The Economic Ascent of the Pacific Rim and What it Means for the West, New York: Facts on File.
   Google Scholar
• White, R. (1981), Inventing Australia: Images and Identity, 1688–1980., Sydney: George Allen & Unwin.
   Google Scholar
• Wincer, S. (2001), Crocodile Dundee in Los Angeles (feature film), Australia/USA: Bungalow Productions/Silver Lion Films.
   Google Scholar
• Woods, K. (2000), Looking for Alibrandi (feature film), Australia: Robyn Kershaw Productions.
   Google Scholar