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Original Articles

Translating the strange, performing the peculiar: Marieluise Fleißer's Fegefeuer/Purgatory in Ingolstadt

Pages 69-81 | Published online: 06 Jan 2014

Works Cited

  • Aaltonen, Sirkku, Time-Sharing on Stage: Drama Translation in Theatre and Society, Clevedon: Multilingual Matters, 2000.
  • Bassnett, Susan and André Lefevere, Constructing Cultures: Essays on Literary Translation, Clevedon: Multilingual Matters, 1998.
  • Brecht, Bertolt, Brecht on Theatre, 2nd ed., trans. and ed. John Willett, London: Eyre Methuen, 1974.
  • Fleißer, Marieluise, Ingolstädter Stücke, Frankfurt am Main: Suhrkamp, 1972.
  • Fleißer, Marieluise Purgatory in Ingolstadt, trans. Elisabeth Bond-Pablé and Tinch Minter, in Annie Castledine (ed.), Plays by Women: Volume Nine, London: Methuen Drama, 1991, pp. 2–39.
  • Fleißer, Marieluise Purgatory in Ingolstadt, trans. Gita Honegger in Sue-Ellen Case (ed.), The Divided Home/Land: Contemporary German Women's Plays, Ann Arbor: University of Michigan Press, 1992, pp. 29–70.
  • Ingold, Tim, ‘The Art of Translation in a Continuous World’, in Gísli Pálsson (ed.), Beyond Boundaries: Understanding Translation and Anthropological Discourse, Oxford: Berg, 1993, pp. 210–30.
  • Lefevere, André, Translation, Rewriting and the Manipulation of Literary Fame, London and New York: Routledge, 1992.
  • Simon, Sherry, Gender Translation. Cultural Identity and the Politics of Transmission, London: Routledge, 1996.
  • Venuti, Lawrence, The Translator's Invisibility: A History of Translation, London and New York: Routledge, 1995.
  • Wierlacher, Alois, ed. Kulturthema Fremdheit: Leitbegriffe und Problemfelder kulturwissenschaftlicher Fremdheitsforschung Munich: Iudicium, 1993.
  • Worthen, W.B., ‘Drama, Performativity, and Performance’, PMLA 113(1998), 1093–1107.

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