Works Cited
- Asian, Odette (1990), Roger Blin—Qui êtes-vous?, Paris: La Manufacture.
- Beckett, Samuel (1986), The Complete Dramatic Works, London: Faber and Faber.
- Beckett, Samuel (1963), Watt, London: John Calder.
- Gray, Katherine M. (1995), ‘Troubling the body: towards a theory of Beckett's use of the human body onstage’, Journal of Beckett Studies, 5:1, pp. 1–17.
- Mehta, Xerxes (1994), ‘Ghosts’, in Lois Oppenheim (ed.), Directing Beckett, Ann Arbor: University of Michigan Press, pp. 170–85.
- Oppenheim, Lois (ed.) (1994), Directing Beckett, Ann Arbor: University of Michigan Press.
- Pavis, Patrice (2000), ‘Theory and Practice in Theatre Studies in the University’, Studies in Theatre and Performance, 20:2, pp. 68–86. Ravez, Stéphanie (2000), Three Dialogues: III, Bram van Velde, London Beckett Seminar pages, Birkbeck College site, 31 May, http://www.bbk.ac.uk/eh/eng/becksem/31_5_00.htm. Accessed 2 August 2002.
- Schneider, Alan (1997), ‘On Play and other plays’, in Lois Oppenheim (ed.), Directing Beckett, Ann Arbor: University of Michigan Press, pp. 315–18.
- van der Weel, Adriaan and Hisgen, Ruud (1992), ‘Intellection in the work of Samuel Beckett’, in Samuel Beckett: 1979–1989 (ed. Marius Buning et al..), SBT/A, 1, Amsterdam and Atlanta: Rodopi, pp. 86–92.
- Whitelaw, Billie (1995), Billie Whitelaw… Who He?, London: Hodder & Stoughton.
- Zarrilli, Phillip (1997), ‘Acting “at the nerve ends”: Beckett, Blau, and the necessary’, Theatre-Topics, 7:2, pp. 103–16.