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Original Articles

What's in a name?

Pages 189-200 | Published online: 03 Jan 2014

Works cited

  • Auslander, Phillip (1997), From Acting to Performance: essays in modernism and postmodernism, London and New York: Routledge.
  • Auslander, Phillip (2003), Performance: Critical concepts in literary and cultural studies, London and New York: Routledge.
  • Bial, Henry (2003) (ed.), The Performance Studies Reader, London and New York: Routledge.
  • Carlson, Marvin (1996), Performance: A Critical Introduction, London: Routledge.
  • Hughes-Freeland, Felicia (1998) (ed.), Ritual, performance, media, London: Routledge.
  • McKenzie, Jon (2001), Perform or Else: From Discipline to Performance, London: Routledge.
  • Melrose, Susan (2003), ‘the curiosity of writing (or, who cares about discipline mastery?)’, www.sfmelrose.u-net.com/curiousity of writing/. Accessed 13 August 2004.
  • Schechner, Richard (2002), Performance Studies: An Introduction, London: Routledge.
  • Schieffelin, Edward (1998), ‘Problematizing performance’, in F. Hughes-Freeland (ed.), Ritual, performance, media, London: Routledge, pp. 194–207.
  • Striff, Erin (2003) (ed.), Performance Studies, Palgrave/Macmillan: Basingstoke.
  • Taylor, D. (2003), ‘Acts of Transfer’, nyu.edu/tisch/performance. Accessed 23 March 2003.
  • Wickham, Glynne (1962), Drama in a World of Science, London: Routledge and Kegan Paul. www.performance/tisch.nyu.edu/object/ps. Accessed 23 March 2003.

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