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Original Articles

Theatrical-political possibilities in contemporary procession

Pages 15-31 | Published online: 03 Jan 2014

Works Cited

  • Alÿs, Francis (2004), The Modern Procession, New York: Public Art Fund.
  • Armstrong, Kate (2002), Crisis and Repetition: Essays on Art and Culture, Ann Arbor: University of Michigan Press.
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  • Careri, Francesco (2002), Walkscapes: Walking as an aesthetic practice, Barcelona: Editorial Gustavo Gili.
  • Cohn, Norman (1957), The Pursuit of the Millennium, London: Secker & Warburg.
  • Deleuze, Gilles and Félix Guattari (1988), A Thousand Plateaus: Capitalism and Schizophrenia, London and New York: Continuum.
  • Eck, Diana L. (1998), Darśan, New York: Columbia University Press.
  • Lovejoy, Margot and Preminda Jacob (2000), ‘Negotiating New Systems of Perception: Darśhan, Diegesis and Beyond’, in Roy Ascott (ed.), Reframing Consciousness: Art, Mind and Technology, Bristol: Intellect.
  • Smith, Phil (2004), ‘Street performance and public ritual in Exeter, 1830s to 1930s’, Studies in Theatre and Performance, 24:2, pp. 95–111.
  • Surowiecki, James (2005), The Wisdom of Crowds, London: Abacus.
  • Wilson, Eric G. (2006), Secret Cinema: Gnostic Vision in Film, New York and London: Continuum.

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