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Original Articles

The Theatres Act (1968), documentary theatre and the actor's ‘overwhelming reality’

Pages 137-151 | Published online: 06 Jan 2014

REFERENCES

  • Cabinet Memorandum by the Secretary of State of the Home Department—Theatre Censorship. Ref: C (67), 142, 25 July 1967. Public Record Office [PRO] Ref: CAB 129/133 C (67).
  • Cabinet Memorandum by the Secretary of State for the Home Department—Theatres. Ref: C (67) 186, 28 November 1967. PRO Ref: CAB 129/134—Part 2. C (67) 186.
  • Cabinet Memorandum by the Secretary of State for the Home Department. Ref: C (67) 197, 15 December 1967. PRO Ref: CAB 129/134—Part 2.
  • Cabinet Minute. CC (67) 53rd Conclusion, 27 July 1967. PRO Ref: CAB 128/42 CC53 (67).
  • Cabinet Minute. CC (67) 74th Conclusions, 21 December 1967. PRO Ref: CAB 128/42 CC74 (67).
  • Conroy, Colette (2010), Theatre & the Body, Basingstoke: Palgrave Macmillan.
  • Crossman, Richard (1979), The Crossman Diaries: Selections from the Diaries of a Cabinet Minister 1964–1970 (introduced and ed. Anthony Howard), London: Hamish Hamilton and Jonathan Cape.
  • de Jongh, Nicholas (2000), Politics, Prudery and Perversions: The Censoring of the English Stage 1901–1968, London: Methuen.
  • Debord, Guy (1994), The Society of the Spectacle (trans. David Nicholson-Smith), New York: Zone Press.
  • Filewod, Alan (2009), ‘The Documentary Body: Theatre Workshop to Banner Theatre’, in Alison Forsyth and Chris Megson (ed.), Get Real: Documentary Theatre Past and Present, Basingstoke: Palgrave Macmillan, pp. 55–73.
  • Findlater, Richard (1967), Banned!—A Review of Theatrical Censorship in Britain, London: MacGibbon and Kee.
  • Hammond, Will and Steward, Dan (ed.) (2008), Verbatim Verbatim: Contemporary Documentary Theatre, London: Oberon Books.
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  • HMSO (1843), The Statutes of the United Kingdom and Great Britain and Ireland, with Notes and References by N. Simons, of Lincoln's Inn, Esq., Barrister of Law. Volume the Sixteenth containing the Acts 5 and 6 Victoria (1842.) and 6 and 7 Victoria (1843.) with a Copious Index, London: George E. Eyre and Andrew Spottiswoode.
  • HMSO (1968), Parliamentary Debates (Hansard), Fifth Series—Volume 759, House of Commons, Session 1967–68, Comprising Period From 19 February to 1 March 1968, London: HMSO.
  • HMSO (1968), Parliamentary Debates (Hansard), Fifth Series—Volume CCXCII, House of Lords, Seventh Volume of Session 1967–68, Comprising Period from Monday 13 May to Thursday 30 May 1968, London: HMSO.
  • HMSO (1968), Parliamentary Debates (Hansard). Fifth Series—Volume CCXCIII, House of Lords, Eighth Volume of Session 1967–68, Comprising Period From Tuesday 11 June to Friday 28 June 1968, London: HMSO.
  • HMSO (1968), Parliamentary Debates (Hansard), Fifth Series—Volume CCXCIV, House of Lords, Ninth Volume of Session 1967–68, Comprising Period from Monday 1 July to Friday 12 July 1968, London: HMSO.
  • HMSO (1968), Parliamentary Debates (Hansard), Fifth Series—Volume CCXCV, House of Lords, Tenth Volume of Session 1967–68, Comprising Period From Monday 15 July to Friday 26 July 1968, London: HMSO.
  • HMSO (1969), The Public General Acts and Church Assembly Measures 1968, with Lists of the Public General Acts and the Local Acts and a Table of the Effects of Legislation and an Index, Elizabeth II: PartII, Chapters 49–77, London: HMSO.
  • Johnston, John (1990), The Lord Chamberlain's Blue Pencil, London: Hodder and Stoughton.
  • Nicholson, Steve (1999), British Theatre and the Red Peril: The Portrayal of Communism 1917–1945, Exeter: Exeter University Press.
  • Paget, Derek (2009), ‘The “Broken Tradition” of Documentary Theatre and Its Continued Powers of Endurance’, in Alison Forsyth and Chris Megson (ed.), Get Real: Documentary Theatre Past and Present, Basingstoke: Palgrave Macmillan, pp. 224–38.
  • Thomas, David, Carlton, David and Etienne, Anne (2007), Theatre Censorship: From Walpole to Wilson, Oxford: Oxford University Press.

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