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Studies in Theatre and Performance Volume 32, 2012 - Issue 3
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Articles

Crowd or chorus? Howard Barker's mise-en-scène and the tradition of the chorus in the European theatre of the twentieth century

Pages 305-316 | Published online: 03 Jan 2014

REFERENCES

  • Angelaki, Vicky (2010), ‘Grenzen hinausschieben, Zuschauer herausfordern: Zur Rezeption Howard Barkers’, in Ewald Mengel, Ludwig Schnauder, Rudolf Weiss (eds), Weltbühne Wien/World Stage Vienna, Vol.2: Die Rezeption anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts, Trier: Wissenschaftlicher Verlag Trier, pp. 301–315.
  • Barker, Howard (1997), Arguments for a Theatre, 3rd ed., Manchester: Manchester University Press.
  • Barker, Howard (2005), The Fence in its Thousandth Year, London: Oberon.
  • Barker, Howard (2009), Plays Five: Hated Nightfall; Seven Lears; Wounds to the Face; The Last Supper, London: Oberon.
  • Barker, Howard (2010), ‘Plethora and Bare Sufficiency. An address by Howard Barker’, Exeter, 24 February, Exeter Digital Archives.
  • Barker, Howard (2011a), BLOK/EKO, manuscript, rehearsal version (provided by Sarah Goldingay).
  • Barker, Howard (2011b), Howard Barker Interviews 1980–2010. Conversations in Catastrophe, Bristol: Intellect.
  • Barker, Howard (2011c), ‘A Workshop on Plethora’, Exeter: Exeter Digital Archives.
  • Barker, Howard (2011d), ‘Recording of a Symposium following the Premiere of BLOK/EKO’, Exeter: Exeter Digital Archives.
  • Barker, Howard (2012), interview (letter), Exeter/Brighton, 30 January.
  • Baur, Detlev (1999), Der Chor im Theater des 20. Jahrhunderts, Tübingen: Niemeyer.
  • Evans, Sarah (2012), interview (in person), Exeter, 7 February.
  • Jelinek, Elfriede (1983), ‘I want to be shallow’ (trans. Jorn Bramann), www.elfriedejelinek.com. Accessed 6 February 2012.
  • Jelinek, Elfriede (1998), Ein Sportstück, Hamburg: Rowohlt.
  • Kepplinger, Christoph (2007), ‘Polyphone Sprachkompositionen: Elfriede Jelineks Hörspiele als Radiokunst’, http://www.univie.ac.at/jelinetz/images/4/4d/Kepplinger.pdf. Accessed 17 February2012.
  • Kurzenberger, Hajo (1998), ‘Theater als Chor’, in Hajo Kurzenberger (ed.), Praktische Theaterwissenschaft. Spiel—Inszenierung—Text, Hildesheim: Universität Hildesheim, pp. 17–36.
  • Kurzenberger, Hajo (1999), ‘Chorisches Theater der neunziger Jahre’, in Erika Fischer-Lichte, Doris Kolesch, Christel Weiler (eds), Transformationen—Theater der neunziger Jahre, Berlin: Theater der Zeit, pp. 83–91
  • Mangan, Michael (2012), interview (in person), Exeter, 7 February.
  • Roesner, David (2003), Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson, Tübingen: Gunter Narr Verlag.
  • Schleef, Einar (1997), Droge Faust Parsifal, Frankfurt a.M.: Suhrkamp.

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