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Original Articles

Dramatists under a label: Martin Esslin's The Theatre of the Absurd and Aleks Sierz' In-Yer-Face Theatre

Pages 315-326 | Published online: 03 Jan 2014

REFERENCES

  • Bourdieu, Pierre (1980), ‘The production of belief’, Media, Culture and Society, 2:3, pp. 261–93.
  • Bourdieu, Pierre (1985) ‘The social space and the genesis of groups’, Theory and Society, 14:6, pp. 723–44.
  • Camus, Albert (1942), Le Mythe de Sisyphe, Paris: Gallimard Press.
  • Esslin, Martin (1961), The Theatre of the Absurd, New York: Anchor Books.
  • Gottlieb, Vera (2004), ‘1979 and after: A view’, in Baz Kershaw (ed.), The Cambridge History of British Theatre: Vol. 3: Since 1895, Cambridge: Cambridge University Press, pp. 412–26, 413.
  • Kershaw, Baz (2004), ‘British theatre, 1940–2002: An introduction’, in Baz Kershaw (ed.), The Cambridge History of British Theatre: Vol. 3: Since 1895, Cambridge: Cambridge University Press, pp. 291–326, 320.
  • Sierz, Aleks (2001), In-Yer-Face Theatre: British Drama Today, London: Faber & Faber.
  • Sierz, Aleks (2002), ‘Still In-Yer-Face? Towards a critique and a summation’, New Theatre Quarterly, 18:1, pp. 17–24.
  • Tomlin, Liz (2004), ‘English theatre in the 1900s and beyond’, in Baz Kershaw (ed.), The Cambridge History of British Theatre: Vol. 3: Since 1895, Cambridge: Cambridge University Press, pp. 498–513, 504.
  • Zarhy-Levo, Yael (2001), The Theatrical Critic as Cultural Agent: Constructing Pinter, Orton and Stoppard as Absurdist Playwrights, New York: Peter Lang.

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