References and Further Reading
- Attwood, L. 1999. Creating the New Soviet Woman: Women's Magazines as Engineers of Female Identity, 1922–53. Basingstoke and London: Macmillan.
- Azhgikhina, N. and H. Goscilo. 1996. “Getting under Their Skin: The Beauty Salon in Russian Womens Lives.” In H.Goscilo and B. Holmgren (eds) Russia Women Culture, pp. 94–121. Bloomington, IN: Indiana University Press.
- Barthes, R. 1976. Mythologies. London: Granada Publishing Limited.
- Baudelaire, C. 1964. The Painter of Modern Life and Other Essays. New York: A da Capo.
- Bourdieu, P. 1977. Outline of a Theory of Practice. Cambridge: Cambridge University Press.
- Bourdieu, P. 1993. “Haute Couture and Haute Culture.” In Sociology in Question, pp. 132–8. London: Sage.
- de la Haye, A. and S. Tobin. 1994. Chanel: The Couturiere at Work. London: Victoria and Albert Museum.
- Djilas, M. 1957. The New Class: An Analysis of Communist System. London: Thames and Hudson.
- D´zsa, K. 1991a. “Magyar divatörténet—I r´sz 1945–1949” (Hungarian Fashion History, 1945–1949, Part 1). In Historia 4: 22–4.
- Dózsa, K. 1991b. “Magyar divattört´net—II r´sz 1949–1958” (Hungarian Fashion History, 1949–1958, Part 2). In Historia 5–6: 50–1.
- Dunham, V. S. 1990 [1976]. In Stalin's Time: Middle-class Values in Soviet Fiction. Durham, NC and London: Duke University Press.
- Elias, N. 2000. The Civilizing Process. Oxford: Blackwell.
- Fitzpatrick, S. 1993. “Becoming Cultured: Socialist Realism and the Representation of Privilege and Taste.” In The Cultural Front: Power and Culture in Revolutionary Russia, pp. 216–37. Ithaca and London: Cornell University Press.
- Gescer, O. and D. Kitzinger. 2002. “Fairy Sales: The Budapest International Fairs as Virtual Shopping Tours.” Cultural Studies 16(1): 145–64.
- Hankiss, E. 1990. East European Alternatives. Oxford: Clarendon Press.
- Heller, L. 1997. “A World of Prettiness.” In T. Lahusen and E. Dobrenko (eds) Socialist Realism Without Shores, pp. 51–75. Durham, NC and London: Duke University Press.
- Hlavácková, K. 2000. Czech Fashion 1940–1970: Mirror of the Times. Prague: u(p)m and Olympia Publishing.
- Hutchings, R. 1968. “The Weakening of Ideological Influences upon Soviet Design.” Slavic Review 27(1): 71–84.
- Jelinek, Z. 1961. The Secret of the Well-dressed Woman: The Rules of Attractiveness and Good Taste (Tajna dobro odjevene zene: Pravila privlacnosti i dobrog ukusa), Zagreb: NIP.
- Jowitt, K. 1992. New World Disorder: The Leninist Extinction, Berkeley, CA: University of California Press.
- Kelly, C. 2001. Refining Russia: Advice Literature, Polite Culture, and Gender from Catherine to Yeltsin. Oxford: Oxford University Press.
- Kelly, C. and V. Volkov 1998. “Directed Desires: Kul'turnost’ and Consumption.” In C. Kelly and D. Shepherd (eds) Constructing Russian Culture in the Age of Revolution, 1881–1940, pp. 291–313. Oxford: Oxford University Press.
- König, R. 1988. “Fashion under the real socialism” (“La moda nel socialismo reale”). In Humanity at the Catwalk (Umanità in passerella), pp. 265‐275. Milan: Longanesi & C.
- Kornai, J. 1990. Vision and Reality, Market and State: Contradictions and Dilemmas Revisited. Budapest: Corvina.
- Kornai, J. 1992. The Socialist System: The Political Economy of Communism. Oxford: Clarendon Press.
- Kovrig, B. 1979. Communism in Hungary: From Kun to Kadar. Stanford, CA: Hoover Institution Press.
- Langer, K. 1961. “Fashion and Socialist Life Style” (“Móda a socialisticky zivotni sloh”). Tvar 12(3): 65–6.
- Lehmann, U. 1999. “Tigersprung: Fashioning History.” Fashion Theory 3(3): 297–322.
- Maskulii, A. 1958. “Making a Visit, at the Theatre, at the Concert.” Fashion Journal 1958, no. 3, pp. 34–5.
- Matkovic, H. 1998. The History of Yugoslavia: A Croatian View (Povijest Jugoslavije: Hrvatski pogled). Zagreb: Naklada Pavicic.
- Molnar, M. 1990. From B´la Kun to János Kádár: Seventy Years of Hungarian Communism. New York and Oxford:Berg.
- Ness, M. 1967. “Czechoslovaks Seen as Fashion Conscious.” Christian Science Monitor February 10 1967.
- Oblath, M. 2000. “A Bespoke Chanel Suit in Hungary in 1966.” The Correspondent, pp. 44–7.
- Paperny, V. 1993. “Movement—Immobility.” In A. Efimova and L.Manovich (eds) Tekstura, pp. 56–69. Chicago and London: University of Chicago Press.
- Perrot, P. 1994. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Princeton, NJ: Princeton University Press.
- Polhemus, T. and L. Procter. 1978. Fashion and Anti-Fashion. London: Thames and Hudson.
- Puhovski, Z. 1990. The Socialist Construction of Reality (Socijalisticka konstrukcija zbilje). Zagreb: Skolska knjiga.
- R´czey, F., D. Pekáry and F. Gondi. 1960. Etikett, társas´let, protokol. Budapest: Minerva.
- Reid, S. E. and D. Crowley. 2000. (eds) Style and Socialism: Modernity and Material Culture in Post-WarEastern Europe. Oxford and New York: Berg.
- Reid, S. E. 1999. “Masters of the Earth: Gender and Destalinisation in Soviet Reformist Painting of the Khrushchev Thaw.” Gender and History 11(2): 276–312.
- Renner, H. 1989. A History of Czechoslovakia since 1945. London and New York: Routledge.
- Simmel, G. 1997. “Fashion, Adornment and Style.” In D. Frisby and M.Featherstone (eds) Simmel on Culture, pp. 187–217. London: Sage Publications.
- Spalová, J. 1949a. “About New Style of Clothes” (O novy styl obleku”). Women and Fashion (Zena a moda) (Prague), 1949, no. 2.
- Spalová, J. 1949b. “Elegant Will Not be Nice?” (“Elegantní nebo príjemny?”). Women and Fashion (Zena a moda) (Prague), 1949, no. 2. p. 19.
- Steele, V. 1993. “Chanel in Context.” In J. Ash and E. Wilson (eds) ChicThrills, pp. 118–26. Berkeley, CA: University of California Press.
- Stosic, B. 1959. “Diors are Among Us” (“Diori su medju narna”). Globus(Zagreb), no. 15, October 11 1959, pp. 40–1.
- Strizhenova, T. 1991. Soviet Costume and Textiles 1917–1945. Paris: Flammarion.
- Sudakevich, A. A. 1960. “Let Us Dress Smartly” (“Odevaites' krasivo”).In G. F. Popova, and L. F. Seregina (eds) To You, Girls (Vam, devushki), pp. 207–24. Moscow: Medgiz.
- Swain, G. and N. Swain 1993. Eastern Europe since 1945. London: Macmillan Press.
- Thiel, E. 1979. “Fashion Creation in Socialist Society” (“Modegestaltung in der sozialistichen Gesellschaft.”) In Artists and Fashion Künstler und Mode), pp. 186–201. East Berlin: Henschelverlag.
- Thom, F. 1989. Newspeak: The Language of Soviet Communism. London and Lexington, KY: The Claridge Press.
- Trotskaia, T. 1959. “Parizh pokazyvaet mody.” Ogonek (Moscow), no. 26, June 21 1959.
- Uchalova, E. 1996. Czech Fashion 1918–1939. Prague: Olympia.
- Vainshtein, O. 1996. “Female Fashion: Soviet Style: Bodies of Ideology.’ In H. Goscilo and B. Holmgren (eds) Russia Women Culture, pp. 64–93. Bloomington, IN: Indiana University Press.
- Verdery, K. 1996. What Was Socialism, and What Comes Next. Princeton, NJ: Princeton University Press.
- Vesely, L. 1956. “Festival Postcard.” Woman and Fashion (Zena a móda) (Prague), no. 8, p. 24.
- Voslensky, M. 1984. Nomenklatura: Anatomy of the Soviet Ruling Class.London: The Bodley Head.
- Weltrusky, M. 1988 “Zagreb Fashion” (“Zagrebacka moda”). In D.Helebrant (ed.) Zagreb Fashion Guide (Zagreb modni vodic). pp. 31–43. Zagreb: Zadruzna stampa.
- Wilson, E. 1990. “These New Components of the Spectacle: Fashion and Postmodernism.” In R. Boyne and A. Rattansi (eds) Postmodernism and Society, pp. 209–36. London: Macmillan Education.
- Zaletova, L., F. Ciofi degli Atti, and F. Panzini 1989. Costume Revolution:Textiles, Clothing and Costume of the Soviet Union in the Twenties. London: Trefoil Publications.
- Zelmanovic, D. 1985. Illustrated Etiquette and Protocol (Ilustrirani bonton & protokol). Zagreb: SLN/Zrinski.
- Zelmanovic, D. 1963. Illustrated Etiquette: Rules on Proper Behaviour(Ilustrirani bonton: Pravila lijepog ponasanja u kuci, izvan kuce, na putu). Zagreb: Stvarnost.
- Zizek, S. 1989. The Sublime Object of Ideology. London: Verso.
- Zsolt, P. 1995. “Fashion and Its Significance in the Hungarian Social History of the Last Five Decades” (“A divat ´s jelentõs´ge az elmúlt ötven ´v magyar társadalomtört´net´ben”). Elm´leti Szociológia 1995(1): 40–44.