References
Primary sources
Interviews
- Anonymous, telephone interview with the author, London, August 2002.
- Hayes, Arabella, interview with the author, July 22, 2004.
- McNulty, Bettina, interview with the author, London, August 13, 2002.
- Myers, Herbert “Bud,” interview with the author at his home, Collinsville, North Carolina, USA, June 21, 2003.
- Reid, Katherine, interview with the author, London, May 12, 2004.
Articles and photographs
- “Bal Blanc,” French Vogue, Août 1930: 50–51.
- “Doing things By Halves,” British Vogue, August 1944: 76.
- Gold, Arthur and Robert Fitzdale, “How Famous People Cook: Lady Penrose, The Most Unusual Recipes You Have Ever Seen,” American Vogue, April 1974: 160–61 and 186–67.
- “La vie d'un poete… premier film de Jean Cocteau,” French Vogue, Octobre 1930: 90–91.
- McNulty, Bettina, “How to Make an Art of the Happy Weekend: The Personal Strategy and Beautiful Food of Lee Penrose,” American House and Garden, June 1973, 68–73.
- Miller, Lee, “‘Believe It’: Lee Miller Cables from Germany,” American Vogue, June 1945: 104–8.
- Miller, Lee “Boutiques—in London” (photos), British Vogue, January 1950: 68–69.
- Miller, Lee “First Baby, First Christmas,” British Vogue, December 1947: 58.
- Miller, Lee “Germans Are Like This,” American Vogue, June 1945: 101–3, 192, 193.
- Miller, Lee “Germany—the War that is Won,” British Vogue, June 1945: 40–42, 84, 86, 89.
- Miller, Lee “G.I. Lingo in Europe,” American Vogue, April 1, 1945,: 102, 131.
- Miller, Lee “The High Bed,” British Vogue, April 1948: 83, 111.
- Miller, Lee “Hitleriania,” British Vogue, July 1945: 36–7, 74.
- Miller, Lee “Loire Bridges/How the Germans Surrender,” British Vogue, November 1944: 50–51, 82, 90.
- Miller, Lee “Looking to 1951: Slim Suits,” British Vogue, October 1950: 110–113.
- Miller, Lee “Paris… Its Joys… Its Spirit… Its Privations,” British Vogue, October 1944: 26–29 and passim.
- Miller, Lee “The Pattern of Liberation,” British Vogue, January 1945: 80.
- Miller, Lee Photographs and contact Sheets, Lee Miller Archives, Farley Farm House, Chiddingly, East Sussex, England.
- Miller, Lee “Picasso,” British Vogue, November 1951: 113, 160, 165.
- Miller, Lee “St. Malo,” British Vogue, October 1944: 51.
- Miller, Lee “St. Malo,” “Unarmed Warriors,” British Vogue, September 1944: 35 and American Vogue: 135.
- Miller, Lee “St. Malo,” “Working Guests,” British Vogue, July 1953: 54–7, 90, 92.
- Miller, Lee “St. Malo,” “News Breakers,” British Vogue, March 1944: 43.
- Miller, Lee“St. Malo,” “Vogue Photographers Interpret Christmas,” British Vogue, December 1947: 53–58.
Secondary sources
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- Aspler, Tony, Tony Aspler the Wine Guy, “Spice up your Kitchen, posted May 22, 2003, TonyAspler.com
- Abzug, R. H. 1985. Inside the Vicious Heart. New York: Oxford University Press Inc.
- Bendit, P. D. and L. J. Bendit. 1946. Living Together Again. London: Gramol.
- Berger, John. [1972] 1990. Ways of Seeing. London: Penguin.
- Brooke, Stephen. 2004. “Framing the Body in War and Peace: The Photography of George Rodger and Bill Brandt in the 1940s,” unpublished paper for the semi-plenary at the North American Conference of British Studies, Philadelphia, October 2004.
- Burke, C. 2001. “Framing a life: Lee Miller,” in Roland Penrose, Lee Miller: The Surrealist and the Photographer Edinburgh: Scottish National Gallery of Modern Art, exhibition catalog.
- Calvocoressi, R. 2002 Lee Miller: Portraits from a Life. London: Thames and Hudson.
- Calvocoressi, R. and David Hare. 2005. Lee Miller Portraits. London: National Portrait Gallery.
- Caws, M. A. 1991. “Seeing the Surrealist Woman: We are a Problem,” introduction to Surrealism and Women, M. A. Caws, R. Kuenzli and G. Raaberg (eds). Cambridge, MA: MIT Press.
- Chadwick, W. 2003. “Lee Miller's Two Bodies,” in Chadwick and Tirza True Latimer (eds), The Modern Woman Revisited: Paris Between the Wars, pp. 199–221. New Brunswick, NJ and London: Rutgers University Press.
- Collingbourn-Beevers, Margot. 2001. Letter to editor, partially reprinted in “Letter from the Editor: Lee's Way,” by Judith Hall, BBC Homes & Antiques, November 2001: 9.
- Conekin, B. 2005. “Lee Miller and the Limits of Post-war British Modernity: Femininity, Fashion, and the Problem of Biography,” in Fashion and Modernity, Christopher Breward and Caroline Evans Oxford: Berg.
- Ernst, Max. 1934. Une Semaine de Bonte, ou les sept elements capitaux. Paris: Jeanne Bucher.
- Foster, S. C. et al., (eds) (1989) Perpetual Motif: The Art of Man Ray. New York: Abbeville Press.
- Francis, Martin. “A Flight from Commitment?: Domesticity, Adventure, and the Masculine Imaginary in Postwar Britain,” in Gender and History (forthcoming).
- Fussell, Paul. 1989. Wartime: Understanding Behaviour in the Second World War. New York and Oxford: Oxford University Press.
- Gallagher, J. 1998. “Vision, Violence and Vogue: War and Correspondence in Lee Miller's Photography,” in The World Wars: Through the Female Gaze, pp. 68–96. Carbondale, Illinois: Southern Illinois University Press.
- Gelhorn, M. [1959] 1998. The Face of War. London: Granta.
- Gerber, D. 1994. “Heroes and Misfits: The Troubled Social Reintegration of Disabled Veterans in The Best Years of Our Lives,” American Quarterly, Vol. 46, No. 4 (1994): 551–2.
- Hall, C. 1985 The Forties in Vogue. London: Octopus Books.
- Hare, D. 2002. “The Real Surrealist,” in The Guardian Weekend, October 26: 14–24.
- Harrison, M. 1991. Appearances: Fashion Photography Since 1945. London: Jonathan Cape.
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- Lewinski, Jorge. 1978. The Camera at War: A History of War Photography from 1848 to the Present Day. London: Hamlyn Press.
- Livingstone, J. 1989. Lee Miller: Photographer. London: Thames and Hudson.
- Lyford, A. 1994. “Lee Miller's Photographic Impersonations, 1930–1945,” in History of Photography, Vol. 18, No. 3, Autumn 1994: 230–41.
- Man Ray. 1963. Self-portrait. Boston: Little Brown/Atlantic Monthly Press.
- McEuan, M. A. 2000. Seeing America: Women Photographers Between the Wars. Lexington: University of Kentucky Press.
- Martin, Richard. [1988] 1996. Fashion and Surrealism. London: Thames and Hudson.
- Murphy, Robert. 2001. British Cinema and the Second World War. London: Continuum International Publishing Group—Academi.
- Palmquist, P. E. 1994. “Resources for Second World War Women Photographers,” in History of Photography, Vol. 18, No. 3, Autumn, 1994: 247–55.
- Penrose, A. The Lives of Lee Miller London: Thames and Hudson.
- Penrose, A.(ed.) [1992] 2005. Lee Miller's War. London: Thames and Hudson.
- Penrose, R. 1981. Scrap Book. London: Thames and Hudson.
- Prose, Francine. 2002. The Lives of the Muses: Nine Women and the Artists They Inspired. New York: Harper Collins.
- Roberts, M. L. 2002. Disruptive Acts: The New Woman in Fin-de-Siècle France. Chicago: University of Chicago Press.
- “Snapshots in Time: Lee Miller.” Report on an exhibition at the Bermuda National Gallery and Ace Gallery, 2003, from August 18, 2003. WWD.com.
- Sontag, Susan. 1977. On Photography. New York: Dell.
- Spurling, Hilary. 2002. The Girl from the Fiction Department: A Portrait of Sonia Orwell. London: Hamish Hamilton.
- Steedman, C. K. 1987. Landscape for a Good Woman: A Story of Two Lives. New Brunswick, NJ: Rutgers University Press.
- Struk, Janina. 2004. Photographing the Holocaust: Interpretations of Evidence. London: I. B. Tauris and Co. Ltd.
- Vogue Book of Fashion Photography. 1979. Introduction by Alexander Liberman, text by Polly Devlin, design by Bea Feitler, and creative research by Diana Edkins. London: Thames and Hudson.
- Zelizer, Barbie. 1998. Remembering to Forget: Holocaust Memory Through the Camera's Eye. Chicago and London: University of Chicago Press.