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The Senses and Society Volume 5, 2010 - Issue 3
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Exhibition and Conference Reviews

Sound Exhibitions: The Second Wave

Jim Drobnick Jim Drobnick is the Graduate Program Director for Contemporary Art History at the Ontario College of Art & Design, Toronto. His books include Aural Cultures (2004) and The Smell Culture Reader (2006). He recently co-curated the exhibition “MetroSonics” (2009) at the National Gallery of Canada, Ottawa. [email protected]
Pages 403-411 | Published online: 16 Apr 2015

References

  • Baumgarten, Lothar. 2009. Seven Sounds/Seven Circles, set of seven CDs. Bregenz, Austria: Kunsthaus Bregenz.
  • Cabanas, Kaira (ed.). 2009. Seven Sounds/Seven Circles: Lothar Baumgarten. Bregenz, Austria: Kunsthaus Bregenz.
  • Copeland, Mathieu. 2009. “Susan Stenger and Tony Conrad.” In David Metcalfe and Iain Pate (eds), Soundtrack for an Exhibition. London: Forma Arts and Media.
  • El Segle del Jazz. 2009. Barcelona: Centre de Cultura Contemporània de Barcelona.
  • Grunenberg, Christoph. 1994. “The Politics of Presentation: The Museum of Modern Art, New York.” In Marcia Pointon (ed.), Art Apart: Art Institutions and Ideology Across England and North America. Manchester and New York: Manchester University Press.
  • Johnson, James H. 1995. Listening in Paris. Berkeley, CA: University of California Press.
  • Leppert, Richard. 2004. “The Social Discipline of Listening.” In Jim Drobnick (ed.), Aural Cultures. Toronto/Banff: YYZBOOKS/Walter Phillips Gallery Press.
  • Rosenberg, Angela. 2009. “Hearing and Seeing.” In Karin Sander (ed.), Zeigen: Eine Auditour durch Berlin. Köln: Walther König.
  • Universal Code: Art & Cosmology in the Information Age. 2009. Toronto: The Power Plant.
  • Wendt, Selena. 2007. “Listening to the Rhythm of Art.” In Equatorial Rhythms. Oslo: Stenersen Museum/Du store verden!

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