References
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- Eleey, Peter, ed. 2008. Trisha Brown: So That the Audience Does Not Know Whether I Have Stopped Dancing. Minneapolis, MN: Walker Art Center.
- Forde, Kathleen. 2010. Dancing on the Ceiling: Art & Zero Gravity. Troy, NY: Curtis R. Priem Experimental Media and Performing Arts Center.
- Gygax, Raphael and Heike Munder (eds). 2010. Between Zones: On the Representation of the Performative and the Notation of Movement. Zurich: migros museum für gegenwartskunst.
- Hobot, Barbara. 2009. Break It Down. Exhibition pamphlet. Waterloo: RENDER, University of Waterloo.
- Jacob, Luis and Pan Wendt. 2009. Funkaesthetics. Exhibition pamphlet. Toronto: Justina M. Barnicke Gallery.
- Piper, Adrian. 1996. “Notes on Funk I–IV,” in Out of Order, Out of Sight, Volume I: Selected Writings in Meta-Art 1968–1992, Cambridge, MA: MIT Press, 195–216.
- Porter, Jenelle, ed. 2009. Dance with Camera. Philadelphia, PA: Institute of Contemporary Art.
- Reece, Skeena. 2009. “Purple Turtle Speaks and Breaks.” Beat Nation curatorial statement. Available online: http://www.beatnation.org/curatorial-statements.html (accessed December 20, 2010).
- Teicher, Hendel (ed.). 2002. Trisha Brown: Dance and Art in Dialogue, 1961–2001. Andover and Cambridge, MA: Addison Gallery of American Art and MIT Press.
- Willard, Tania. 2009. “Medicine Beats and Ancestral Rhymes.” Beat Nation curatorial statement. Available online: http://www.beatnation.org/curatorial-statements.html (accessed December 20, 2010).
- Willard, Tania and Skeena Reece. 2010. Beat Nation: Hip Hop as Indigenous Culture. Vancouver: Grunt Gallery.