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Original Articles

Exhibiting Asia: The Global Impact of Japanese Fashion in Museums and Galleries

Pages 95-119 | Published online: 21 Apr 2015

References and Further Reading

  • Aoki, Junko. 1999. “A Study on the Process of Westernizing in Fashion from the End of Taisho to the early Showa Era. Journal of the International Association of Costume (Japan) 16: 83–90.
  • Armstrong, Lisa. 1998. “Deconstructing Yohji.” British Vogue August: 134–7.
  • Brubach, Holly. 1984. “The Truth in Fiction.” The Atlantic Monthly May: 94–6.
  • Cunningham, Bill. 1990. “Fashion du Siècle.” Details March: 177–299.
  • Derycke, Luc and Sandra van de Veire (eds). 1999. Belgian Fashion Designers. Antwerp: Ludion.
  • Fukai, Akiko. 1994. “Japonism in Fashion.” Japonism in Fashion. Kyoto: Kyoto Costume Institute.
  • Gill, Alison. 1998. “Deconstruction Fashion: The Making of Unfinished, Decomposing, and Re-assembled Clothes.” Fashion Theory 2(1): 25–50.
  • Kawakubo, Rei (ed.). 1997. Visionaire 20, March 1997, the Comme des Garçons Issue.
  • Kawamura, Yuniya. 2004. The Japanese Revolution in Paris Fashion. Oxford and New York: Berg.
  • Kimmelman, Michael. 1995. “Art in Aisle 3, by Lingerie, And Feel Free to Browse.” New York Times March 19 1995: E43, 46.
  • Kirke, Betty. 1998. Madeleine Vionnet. San Francisco, CA: Chronicle Books.
  • Koda, Harold. 1985. “Rei Kawakubo and the Aesthetic of Poverty.” Dress: Journal of the Costume Society of America 11: 4–11.
  • Kondo, Dorinne. 1997. About Face: Performing Race in Fashion and Theater. New York: Routledge.
  • Koren, Leonard. 1984. New Fashion Japan. Tokyo: Kondansha International.
  • Koren, Leonard. 1994. Wabi Sabi for Artists, Designers, Poets and Philosophers. Berkeley, CA: Stone Bridge Press.
  • Long, Mary L. 1982. “Yohji Yamamoto.” People 1 November 1982: 7.
  • Martin, Richard. 1992. “Destitution and Deconstruction: The Riches of Poverty in the Fashions of the 1990s.” Textile & Text 15(2): 3–12.
  • Mears, Patricia. 2003a. “Etre japonais: une question d'indentité.” XXIème Ciel: Mode in Japan, pp. 37–45. Milan: Five Continents and Nice: Musé e des Arts Asiatiques.
  • Mears, Patricia. 2003b. “Révolutionaires: Rei Kawakubo et Yohji Yamamoto” XXIème Ciel: Mode in Japan, pp. 65–99. Milan: Five Continents and Nice: Musée des Arts Asiatiques.
  • Mears, Patricia. 2003c. “Junya Watanabe: maître artisan.” XXIème Ciel: Mode in Japan, pp. 101–11. Milan: Five Continents and Nice: Musé e des Arts Asiatiques.
  • Morris, Bernadine. 1982. “From Japan, New Faces, New Shapes.” New York Times December 14 1982: C10.
  • Morris, Bernadine. 1983a. “Loose Translators.” New York Times January 30 1983: SM40, 43.
  • Morris, Bernadine. 1983b. “The New Wave from Japan.” New York Times Magazine 30 January 1983: 40.
  • Mower, Sarah. 2001. “Talking with Rei.” Vogue Nippon September 2001: 156–9.
  • Sidorsky, Gail. 1983. “From East to West: A New Breed of Japanese Designers.” Image NYC 1983: 17–20.
  • Smith, Roberta. 1998. “Wrapping the West in Eastern Mystery.” New York Times November 20 1998: E41
  • Spindler, Amy M. 1993. “Coming Apart.” New York Times Style Section, 25 July 1993: 1, 9.
  • Stinchecum, Amanda. 1983. “The Japanese Aesthetic: A New Way for Women to Dress.” The Village Voice April 19 1983: 70–6.
  • Sudjic, Deyan. 1990. Rei Kawakubo and Comme des Garçons. New York: Rizzoli.
  • Takashina, Shuji. 1994. “Japonism: An Aesthetic of Shadow and Fragment.” Japonism in Fashion. Kyoto: Kyoto Costume Institute.
  • Tanazaki, Jun'ichiro. 1977. In Praise of Shadows. Trans. Thomas J. Harper and Edward Seidensticker. New Haven, CT: Leete's Islands Books.
  • Weinstein, Jeff. 1983. “The Man in the Gray Flannel Kimono.” The Village Voice April 19 1983.
  • Weir, June. 1982. “The Rising Prestige of Tokyo.” New York Times June 27 1982: 46, 47, 50.
  • Yamamoto, Yohji and Kiyokazu Washida. 2002. Talking to Myself. Milan: Carla Sozzani, Tokyo: Yohji Yamamoto.
  • Yoshida, Shin-ichirio. 1994. Riches from Rags: Saki-ori and Other Recycling Traditions in Japanese Rural Clothing. San Francisco, CA: San Francisco Craft and Folk Art Museum.

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