683
Views
7
CrossRef citations to date
0
Altmetric
Original Articles

The Velvet Touch: Fashion, Furniture, and the Fabric of the Interior

Pages 51-81 | Published online: 21 Apr 2015

References

  • Benjamin, Walter. 1996[1926]. “One-Way Street.” In Marcus and Michael W. Jennings Bullock (eds) Walter Benjamin: Selected Writings, pp. 444–88. Cambridge, MA: Belknap Press of Harvard University Press.
  • Benjamin, Walter. 2002[1935]. “Paris, Capital of the Nineteenth Century.” In Rolf Tiedemann (ed.) The Arcades Project, pp. 3–13. Cambridge, MA: Belknap Press of Harvard University Press.
  • Benjamin, Walter. 2002[1939a]. “Paris, Capital of the Nineteenth Century,” In Rolf Tiedemann (ed.) The Arcades Project, pp. 14–26. Cambridge, MA: Belknap Press of Harvard University Press.
  • Benjamin, Walter. 2002[1939b]. The Arcades Project, 1939. Trans. Howard and Kevin McLaughlin Eiland. Rolf Tiedemann (ed.). Cambridge, MA: Belknap Press of Harvard University Press.
  • Blum, Stella (ed.). 1974. Victorian Fashions and Costumes from Harper's Bazar, 1867–1898. New York: Dover.
  • Buck-Morss, Susan. 1989. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge, MA, and London: MIT Press.
  • Buss, Chiara. 1996. Velvets. Collezione Antonio Ratti, Vol. V. Milan: Elli e Pagani.
  • Coleman, Elizabeth Ann. 1989. The Opulent Era: Fashions of Worth, Doucet and Pingat. New York: Thames & Hudson and The Brooklyn Museum.
  • Daly, César. 1864. L'Architecture privée au XIXe siècle urbaine et suburbaine sous Napoléon III: nouvelles maisons de Paris et des environs, Vol. I. Paris: M. Brun.
  • Derrida, Jacques. 1981. “The Double Session.” In Dissemination, pp. 173–286. Chicago, IL: University of Chicago Press.
  • Felsher, Lynn. 1992. “Extravagant Lengths: Velvet, Plush and Velveteen.” Textile and Text 14(3): 3–13.
  • Festa-McCormick, Diana. 1984. Proustian Optics of Clothes: Mirrors, Masks, Mores. Saratoga, CA: Anma Libri.
  • Gay, Peter. 1984. The Bourgeois Experience: Victoria to Freud. New York: Oxford University Press.
  • Grier, Katherine. 1988. Culture and Comfort: People, Parlors, and Upholstery. Rochester, NY and Amherst, MA: Strong Museum.
  • Grier, Katherine. 1997. Culture and Comfort: Parlor Making and Middle-class Identity, 1850–1930. Washington, DC: Smithsonian Institute Press.
  • Haugland, H. Kristina. 2005. “Bustle” and “Crinoline.” In Valerie Steele (ed.) The Encyclopedia of Clothing and Fashion, vol. I, pp. 204–6, 317–18. Farmington Mills, MI: Thomson Gale.
  • Havard, Henry. 1887–90. Dictionnaire de l'ameublement et de la décoration depuis le XIIIe siècle jusqu'à nos jours. Paris: Maison Quantin.
  • Heutte, René. 1972. Le Livre de la Passementerie. Dourdan, France: Vial.
  • Jones, Kimberly. 2003. “Vuillard on Stage;” “Behind Closed Doors;” and “The Decorative Impulse.” In Guy Cogeval (ed.) Édouard Vuillard, pp. 91–162. Washington, DC: Montreal Museum of Fine Arts and National Gallery of Art in association with Yale University Press.
  • Kuenzli, Katherine Marie. 2002. “The Anti-Heroism of Modern Life: Symbolist Decoration and the Problem of Privacy in Fin-De-Siècle Modernist Painting.” Dissertation, University of California, Berkeley.
  • Lacquemant, Karine. 2004. “The Bing Art Nouveau Pavilion at The World's Fair of 1900: ‘New’ Art from Old.” In Gabriel P. Weisberg, Edwin Becker and Évelyne Possémé (eds) The Origins of L'art Nouveau: The Bing Empire, pp. 189–222. Amsterdam, Paris, Antwerp: Cornell University Press.
  • Lipstadt, Hélène. 1977. “Housing the Bourgeoisie: César Daly and the Ideal Home.” Oppositions (Spring): 33–47.
  • Perrot, Michelle (ed.). 1990. A History of Private Life: From the Fires of Revolution to the Great War. Trans. Arthur Goldhammer. Cambridge, MA: Belknap Press of Harvard University Press.
  • Perrot, Philippe. 1994. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century. Trans. Richard Bienvenu. Princeton, NJ: Princeton University Press.
  • Proust, Marcel. 2003[1912]. Swann's Way. Trans. Lydia Davis. New York: Viking.
  • Saisselin, Rémy G. 1984. The Bourgeois and the Bibelot. New Brunswick, NJ: Rutgers University Press.
  • Salomon, Atoine and Guy Cogeval. 2003. Vuillard—Le Regard in-nombrable: Catalogue critique des peintures et pastels, Vol. 1. Paris: Wildenstein Institute.
  • Schoeser, Mary and Kathleen Dejardin. 1991. French Textiles: From 1760 to the Present. London: Laurence King.
  • Sidlauskas, Susan. 2000. Body, Place, and Self in Nineteenth-century Painting. Cambridge and New York: Cambridge University Press.
  • Silverman, Debora. 1977. “The 1889 Exhibition and the Crisis of Bourgeois Individualism.” Oppositions 8(Spring): 71–91.
  • Silverman, Debora. 1989. Art Nouveau in Fin-de-siècle France: Politics, Psychology, and Style. Berkeley, CA: University of California Press.
  • Steele, Valerie. 1985. Fashion and Eroticism: Ideals of Feminine Beauty from the Victorian Era to the Jazz Age. New York and Oxford: Oxford University Press.
  • Steele, Valerie. 1988. Paris Fashion: A Cultural History. New York and Oxford: Oxford University Press.
  • Steele, Valerie. 2001. The Corset: A Cultural History. New Haven, CT: Yale University Press.
  • Voss, Ursula. 2002. Kleider und Kunstwerke: Marcel Proust und die Mode. Frankfurt am Main and Leipzig: Insel Verlag.
  • Watkins, Nicholas. 2001. “The Genesis of a Decorative Aesthetic.” In Gloria Groom (ed.) Beyond the Easel: Decorative Painting by Bonnard, Vuillard, Denis, and Roussel, 1890–1930, pp. 1–30. New Haven, CT, and London: The Art Institute of Chicago with Yale University Press.
  • Zola, Emile. 1995[1883]. The Ladies' Paradise, Trans. Brian Nelson. New York: Oxford University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.