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Cloth and Culture
Volume 9, 2011 - Issue 3
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Original Articles

Curls and Culture: Hairstyles in British Cinema 1930–80

Sue Harper Sue Harper is Emeritus Professor of Film History at the University of Portsmouth. She has published widely on British cinema. Sue was Principal Investigator of a major AHRC research project on British cinema of the 1970s. She and Justin Smith have completed the book of the project, British Film Culture of the 1970s: the Boundaries of Pleasure, which will be published by the University of Edinburgh Press in 2011.
Pages 372-383 | Published online: 01 May 2015

References

  • Chapman, James. 2005. Past and Present: National Identity and the British Costume Film. London: I. B. Tauris.
  • Cross, Louisa. 2008. “Fashionable Hair in the Eighteenth Century: Theatricality and Display.” In Geraldine Biddle-Perry and Sarah Cheang (eds) Hair: Styling, Culture and Fashion, pp. 15–26. Oxford: Berg.
  • Douglas, Mary. 1966. Purity and Danger: An Analysis of the Concepts of Pollution and Taboo. London: Routledge & Kegan Paul.
  • Douglas, Mary. 1973. Natural Symbols: Explorations in Cosmology. London: Pelican Books.
  • Harper, Sue. 1994. Picturing the Past: The Rise and Fall of the British Costume Film. London: British Film Institute.
  • Harper, Sue. 2000. Women in British Cinema: Mad, Bad and Dangerous to Know. London: Continuum.
  • Korda, Alexander. 1937. “British Films Today and Tomorrow.” In Charles Davy (ed.) Footnotes to the Film, pp. 171–200. London: Lovat Dickson.
  • Lant, Antonia. 1991. Blackout: Reinventing Women for Wartime British Cinema. Princeton, NJ: Princeton University Press.

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