Texts and contexts: the case of jàmá songs among the youth in Ghana

References

• Agawu, K (1988). ‘Tone and tune: The evidence for Northern Ewe music.’ Africa, 58:127–146. doi: 10.2307/1160658
   Web of Science ®Google Scholar
• Agawu, K (2001). ‘African music as text.’ Research in African Literatures, 32(2):8–16. doi: 10.2979/RAL.2001.32.2.8
   Web of Science ®Google Scholar
• Agordoh, A A (1994). Studies in African Music. Ho: New Age.
   Google Scholar
• Amenyaglo, K (2018). Personal communication. Accra, 12 July.
   Google Scholar
• Armah, D (2018). Personal communication. Cape Coast, 5 June.
   Google Scholar
• Asamoah, M (2018). Personal communication. Ho, 30 May.
   Google Scholar
• Ato-Net Media (2020). ‘Live gospel jama praise – The best gospel jama praise song (official audio).’ YouTube: Ato-Net Media GH. <https://www.youtube.com/watch?v=ABH5PSN8wQo&list=RDABH5PSN8wQo&start_radio=1> accessed 27 August 2021.
   Google Scholar
• Bauman, R & C L Briggs (1990). ‘Poetics and performance as critical perspectives on language and social life.’ Annual Review of Anthropology, 19:59–88. doi: 10.1146/annurev.an.19.100190.000423
   Web of Science ®Google Scholar
• Blommaert, J (2005). Discourse: A Critical Introduction. Cambridge: Cambridge University Press.
   Google Scholar
• Blum, S (1992). ‘Analysis of musical style.’ In H Myers (ed.), Ethnomusicology: An Introduction. New York: Norton, 165–218.
   Google Scholar
• Botchway, D (2017). ‘Gyama songs in Ghanaian schools: A note on a student’s musical creativity.’ In T R Klein (ed.), Schools and Schooling as a Source of African Literary and Cultural Creativity. Trier: WVT, 3–31.
   Google Scholar
• Brink, J T (2001). ‘Dialectics of aesthetic form in Bamana art.’ In J Colleyn (ed.), Bamana: The Art of Existence in Mali. New York: Museum for African Art, 237–241.
   Google Scholar
• Collins, J (1996 [1994]). Highlife Time, second edition. Accra: Anansesem.
   Google Scholar
• Collins, J (2005). ‘A social history of Ghanaian popular entertainment since independence.’ Transactions of the Historical Society of Ghana, 9:17–40.
   Google Scholar
• Doh, D (2018). Personal communication. Accra, 4 June.
   Google Scholar
• Dor, G (2004). ‘Communal creativity and song ownership in Anlo Ewe musical practice: The case of Havo̲ lu.’ Ethnomusicology, 48(1):26–51.
   Web of Science ®Google Scholar
• Essien, K (2016). Brazilian-African Diaspora in Ghana: The Tabom, Slavery, Dissonance of Memory, Identity, and Locating Home. East Lansing: Michigan State University Press.
   Google Scholar
• Ghana Soccer (2014). ‘Ghana footballers chant before South Korea friendly.’ YouTube: Ghanasoccernet. <https://www.youtube.com/watch?v=8uHNmv5Nd1k> accessed 27 August 2021.
   Google Scholar
• Ghana Statistical Service (2012). 2010 Population and Housing Census Summary Report of Final Results. Accra: Sakoa Press.
   Google Scholar
• Ghana Statistical Service (2013). ‘Censuses and surveys.’ Ghana Statistical Service. <http://www2statsghana.gov.gh/surveys.html> accessed 10 December 2020.
   Google Scholar
• Ghanaian Post (2017). ‘Katanga Hall charging (morale) knust.’ YouTube: The Ghanaian Post. <https://www.youtube.com/watch?v=OnhXfoNTKxw> accessed 27 August 2021.
   Google Scholar
• Henderson-Quartey, D K (2001). The Ga of Ghana: History & Culture of a West African People. London: D K Henderson-Quartey.
   Google Scholar
• Ibrahim, Z (2018). Personal communication. Accra, 20 June.
   Google Scholar
• Klein, T R (2010). ‘Fondling breasts and playing guitar: Textual and contextual expressions of a sociomusical conflict in Accra.’ Zeitschrift der Gesellschaft für Musiktheorie. <https://www.gmth.de/zeitschrift/artikel/589.aspx> accessed 31 July 2019.
   Google Scholar
• Kofi Lifestyle (2021). ‘#Ghana news (soldiers jama special) part 2.’ YouTube: Kofi Lifestyle. <https://www.youtube.com/watch?v=2uCdUw-IPSE> accessed 27 August 2021.
   Google Scholar
• Kwarteng, P (2019). Personal communication. Athens, Ohio, 19 November.
   Google Scholar
• Mensah, J A (2018). Personal communication. Accra, 10 July.
   Google Scholar
• Merriam, A P (1964). The Anthropology of Music. Evanston: Northwestern University Press.
   Google Scholar
• Nii-Dortey, M (2018). Personal communication. Accra, 12 July.
   Google Scholar
• Nketia, J H K (1958). ‘Traditional music of the Ga people.’ African Music, 2(1):21–27. doi: 10.21504/amj.v2i1.523
   Google Scholar
• Nketia, J H K (1959). ‘Changing traditions of folk music in Ghana.’ Journal of the International Folk Music Council, 11:31–36. doi: 10.2307/834852
   Google Scholar
• Nketia, J H K (1974). The Music of Africa. New York: Norton.
   Google Scholar
• Nketia, J H K (2005). Ethnomusicology and African Music. Collected Papers, Volume 1: Modes of Inquiry and Interpretation. Accra: Afram.
   Google Scholar
• Quayson, A (2014). Oxford Street, Accra: City Life and the Itineraries of Transnationalism. Durham: Duke University Press.
   Google Scholar
• Salm, S J (2003). “The Bukom Boys”: Subcultures and identity transformation in Accra, Ghana. Austin: University of Texas, unpublished doctoral thesis.
   Google Scholar
• Salm, S J & T Falola (2002). Culture and Customs of Ghana. Westport: Greenwood Press.
   Google Scholar
• Sarkar, M & B Low (2012). ‘Multilingualism and popular culture.’ In M Martin-Jones, A Blackledge & A Creese (eds), The Routledge Handbook of Multilingualism. New York: Routledge, 403–418.
   Google Scholar
• Silverstein, M & G Urban (eds) (1996). Natural Histories of Discourse. Chicago: University of Chicago Press.
   Google Scholar
• Tracey, H (1948). Chopi Musicians: Their Music, Poetry and Instruments. London: Oxford University Press.
   Google Scholar
• Turino, T (1993). Moving Away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration. Chicago: University of Chicago Press.
   Google Scholar
• Younge, P Y (2011). Music and Dance Traditions in Ghana: History, Performance, and Teaching. Jefferson: McFarland.
   Google Scholar