To Hell and Back: Excessive Drug Use, Addiction, and the Process of Recovery in Mainstream Rock Autobiographies

REFERENCES

• Alcoff, L., & Gray, L. (1993). Survivor discourse: Transgression or recuperation? Signs, 18(2), 260–290.
   Web of Science ®Google Scholar
• Bellis, M., Hennell, T., Lushey, C., Hughes, K., Tocque, K., & Ashton, J. (2007). Elvis to eminem: Quantifying the price of fame through early mortality of european and north American rock and pop stars. Journal of Epidemial Community Health, 61, 896–901.
   PubMed Web of Science ®Google Scholar
• Berry, C. (1988). Chuck berry: The autobiography. New York: Faber and Faber.
   Google Scholar
• Bird, S. (1996). Welcome to the men's club. Homosociality and the maintenance of hegemonic masculinity. Gender and Society, 10(2), 120–132.
   Web of Science ®Google Scholar
• Blomqvist, J. (2002). Recovery with and without treatment: A comparison of resolutions of alcohol and drug problems. Addiction Research and Theory, 10(2), 119–158.
   Web of Science ®Google Scholar
• Boon, M. (2002). The road of excess. A history of writers on drugs. Cambridge/London: Harvard University Press.
   Google Scholar
• Boothroyd, D. (2006). Culture on drugs. Narco-cultural studies of high modernity. Manchester/New York: Manchester University Press.
   Google Scholar
• Brooks, P. (2000). Troubling confessions. Speaking guild in law and literature. Chicago/London: The University of Chicago Press.
   Google Scholar
• Brown, D. (1999). Uncanny confession: Thomas pynchon's fausto maijstral. Modern Language Studies, 29(2), 49–71.
   Google Scholar
• Burdon, E. (1986). I used to be an animal, but i'm alright now. London: Faber and Faber.
   Google Scholar
• Cash, J. (1974). Man in black. Grand Rapids, MI: Zondervan.
   Google Scholar
• Chen, M.-J., Miller, B., Grube, W., & Waiters, E. (2006). Music, substance use, and aggression. Journal of Studies on Alcohol, 67(3), 373–381.
   PubMed Web of Science ®Google Scholar
• Christenson, P., Roberts, D., & Bjork, N. (2012). Booze, drugs & rock ‘n’ roll: Substance portrayals in top billboard hits 1968–2008. Substance Use & Misuse, this issue.
   Google Scholar
• Cobain, K. (2002). Journals. New York: Riverhead Books.
   Google Scholar
• Crosby, D., & Gottlieb, C. (1988). Long time gone: The autobiography of David Crosby. New York: Doubleday.
   Google Scholar
• Davis, S. (1985/1995). Hammer of the Gods. The led zeppelin saga. London: Pan Books.
   Google Scholar
• De Quincey, T. (1981/1971). Confessions of an english opium eater. Harmondsworth: Penguin Books.
   Google Scholar
• Desbarres, P. (1987/2005). I'm with the band. Confessions of a groupie. Chicago: Chicago Review Press.
   Google Scholar
• Duterte, M., Hemphill, K., Murphy, T., & Murphy, S. (2003). Tragic beauties: Heroin images and heroin users. Contemporary Drug Problems, 30( fall), 595–617.
   Google Scholar
• Elster, J. (1999). Emotion and addiction: Neurobiology, culture and choice. In J. Elster (Ed.), Addiction. Entries and exits (pp. 239–276). New York: Russell Sage Foundation.
   Google Scholar
• Fabian, J., & Byrne, J. (1969/2005). Groupie. London/New York/Sydney: Omnibus Press.
   Google Scholar
• Forsberg Weiland, M., & Warren, L. (2009). Fall to pieces. A memoir of drugs, rock ‘n’ roll, and mental illness. New York: HarperCollins.
   Google Scholar
• Forsyth, A. (1996). Places and patterns of drug use in the Scottish dance scene. Addiction, 91(4), 511–521.
   PubMed Web of Science ®Google Scholar
• Foster, D. (1987). Confession and complicity in narrative. Cambridge: Cambridge University Press.
   Google Scholar
• Foucault, M. (1976). Histoire de la sexualité 1. La volonté de savoir [The History of Sexuality Vol. 1: The Will to Knowledge]. Paris: Gallimard.
   Google Scholar
• Frank, A. (1995). The wounded storyteller. Body, illness, and ethics. Chicago/London: The University of Chicago Press.
   Google Scholar
• Furedi, F. (2004). Therapy culture. Cultivating vulnerability in an uncertain age. London/New York: Routledge.
   Google Scholar
• Grossberg, L. (1992). We gotta get out of this place. Popular conservatism and postmodern culture. New York/London: Routledge.
   Google Scholar
• Gubrium, J., & Holstein, J. (2009). Analyzing narrative reality. Los Angeles/London/New Delhi/Singapore: Sage.
   Google Scholar
• Herd, D. (2005). Chances in the prevalence of the alcohol use in the rap lyrics, 1979–1997. Addiction, 100(9), 1258–1269.
   PubMed Web of Science ®Google Scholar
• Herman, G. (2008). Rock ‘n’ roll babylon. 50 years of sex, drugs and rock ‘n’ roll. London: Plexus.
   Google Scholar
• Hopkins, J. (1980). Elvis. The final years. New York: W.H. Allen.
   Google Scholar
• Hopkins, J., & Sugerman, D. (1980). No one here gets out alive. London: Plexus.
   Google Scholar
• Hunter, I. (1974/2008). Diary of a rock ‘n’ roll star. Shropshire: Independent Music Press.
   Google Scholar
• Humphreys, K. (2000). Community narratives and personal stories in alcoholics anonymous. Journal of Community Psychology, 28(5), 495–506.
   Web of Science ®Google Scholar
• Hänninen, V., & Koski-Jännes, A. (1999). Narratives of recovery from addictive behaviours. Addiction, 94(12), 1837–1848.
   PubMed Web of Science ®Google Scholar
• Keane, H. (2001). Public and private practices: Addiction autobiography and its contradictions. Contemporary Drug Problems, 28( winter), 567–595.
   Google Scholar
• Kilmister, L., & Garza, J. (2004). White line fever. New York: Citadel.
   Google Scholar
• Kohler Riessman, C. (2008). Narrative methods for the human sciences. Los Angeles/London/New Delhi/Singapore: Sage.
   Google Scholar
• Koski-Jännes, A. (2002). Social and personal identity. Projects in the recovery from addictive behaviours. Addiction Research and Theory, 10(2), 183–202.
   Web of Science ®Google Scholar
• Lipman-Blumen, J. (1976). Toward a homosocial theory of sex roles: An explanation of the sex segregation of social institutions. Signs, 1(3), 15–31.
   Web of Science ®Google Scholar
• Lydon, J., Zimmerman, K., & Zimmerman, K. (1994). Rotten. No irish, no blacks, no dogs. New York: Picador.
   Google Scholar
• Mäkelä, K. Arminen, I., Bloomfield, K., Eisenbach-Stangl, I., Helmersson Bergmark, K., Kurube, N. (1996). Alcoholics anonymous as a mutual-help movement: A study in eight societies. Madison: University of Wisconsin Press.
   Google Scholar
• Marcus, G. (1993). In the fascist bathroom: Punk in pop music 1977–1992. Cambridge/Massachusetts/London: Harvard University Press.
   Google Scholar
• Markert, J. (2001). Sing a song of drug use-abuse: Four decades of drug lyrics in popular music—From the sixties through the nineties. Sociological Inquiry, 71(2), 194–220.
   Google Scholar
• McIntosh, J., & McKeganey, N. (2000). Addicts’ narratives of recovery from drug use: Constructing a non-addict identity. Social Science and Medicine, 50(10), 1501–1510.
   PubMed Web of Science ®Google Scholar
• Mulder, J., ter Bogt, T., Raaijmakers, Q., Gabhainn, S., Monshouwer, K., & Vollebergh, W. (2009). The soundtrack of substance use: Music preference and adolescent smoking and drinking. Substance Use & Misuse, 44(4), 514–31.
   PubMed Web of Science ®Google Scholar
• Orford, J. (2001). Excessive appetites. A psychological view of addictions. Chister: Wiley.
   Google Scholar
• Peele, S. (1995). Diseasing of America. How we allowed recovery zealots and treatment industry to convince us we are out of control. San Francisco, CA: Jossey-Bass.
   Google Scholar
• Perry, C. (1993). Piranesi's prison: Thomas de quincey and the failure of autobiography. Studies in English Literature, 1500–1900, 33(4), 809–824.
   Google Scholar
• Pop, I. (1982/1997). I need more. Los Angeles: 2.13.61 Publications.
   Google Scholar
• Rak, J. (2008). Pop life: An introduction. Canadian Review of American Studies, 38(3), 325–331.
   Web of Science ®Google Scholar
• Redhead, S., Wynne, D., & O'Connor, J. (Eds.). (1997). The clubcultures reader: Readings in popular cultural studies. Oxford: Blackwell.
   Google Scholar
• Shapiro, H. (2003). Waiting for the man. London: Helter Skelter.
   Google Scholar
• Simmons, G. (2001). Kiss and make-up. New York: Crown Publishers.
   Google Scholar
• Simmons, G. (2006). Family jewels. Sex, money, kiss. Beverly Hills: Simmons Books and Phoenix Press.
   Google Scholar
• Steffen, V. (1997). Life stories and shared experience. Social Science and Medicine, 45(1), 99–111.
   PubMed Web of Science ®Google Scholar
• Strachan, R. (2008). “Where Do I Begin the Story?” Collective memory, biographical authority and the rock biography. Popular Music History, 3(1), 65–80.
   Google Scholar
• Swiss, T. (2005). That's me in the spotlight: Rock autobiographies. Popular Music, 24(2), 287–294.
   Google Scholar
• Thompson, D. (1999). Better to burn out. New York: Thunder's Mouth Press.
   Google Scholar
• Thornton, S. (1996). Club cultures. Music, media and subcultural capital. Middletown/Connecticut: Wesleyan University Press.
   Google Scholar
• Turner, T., & Loder, K. (1987). I, Tina. New York: Penguin Books.
   Google Scholar
• Wood, R. T. (1999). “Nailed to the X”: A lyrical history of the straightedge youth subculture. Journal of Youth Studies, 2(2), 133–151.
   Google Scholar
• Wyman, B., & Coleman, R. (1990). Stone alone. The story of a rock ‘n’ roll band. New York: Viking.
   Google Scholar
• Zappa, F., & Occhiogrosso, P. (1989/1990). The real frank zappa book. New York: Simon & Schuster.
   Google Scholar