References
- Adorno, Theodor W. "Bourgeois Opera." Opera through Other Eyes. Ed. David J. Levin. Stanford: Stanford UP, 1994. 25-43.
- Aguilar, Gonzalo. "The National Opera: A Migrant Genre of Imperial Expansion." Journal of Latin American Cultural Studies 12.1 (March 2003): 83-94.
- Arenas, Reinaldo. El color del verano. 1982. Miami: Ediciones Universal, 1991.
- Bakhtiarova, Galina. "A Tale of Two Habaneras: Transatlantic Journeys of a Cultural Sign." Journal of Transatlantic Studies 1.2 (2003): 117-30.
- Beaumarchais, Pierre-Augustin Caron de. The Barber of Seville / The Marriage of Figaro. Trans. John Wood. London: Penguin, 1964.
- Beaumarchais, Pierre-Augustin Caron de. Théâtre. Paris: Garnier-Flammarion, 1965.
- Bejel, Emilio. Gay Cuban Nation. Chicago: U of Chicago P, 2001.
- Cabrera Infante, Guillermo. Tres tristes tigres. 1966. Barcelona: Biblioteca de Bolsillo, 1983.
- Clément, Catherine. L'Opéra ou la défaite des femmes. Paris: Grasset, 1979.
- Conrad, Joseph. Nostromo. New York: Everyman's Library, 1992.
- Da Ponte, Lorenzo. Libretto. Le nozze di Figaro. Music by Wolfgang Amadeus Mozart. Concerto Köln. Dir. René Jacobs. Harmonia Mundi, 2004.
- Díaz, Roberto Ignacio. "Silencios de Caruso o la ópera en La Habana." América: Cahiers du CRICCAL (Sorbonne Nouvelle) 31 (2004): 153-59.
- Díaz, Roberto Ignacio. Unhomely Rooms: Foreign Tongues and Spanish American Literature. Lewisburg: Bucknell UP, 2002.
- Díaz Ayala, Cristóbal. Música cubana: Del areyto a la nueva trova. Miami: Universal, 1993.
- Dizikes, John. Opera in America: A Cultural History. New Haven: Yale UP, 1993.
- Epps, Brad. "Proper Conduct: Reinaldo Arenas, Fidel Castro, and the Politics of Homosexuality." Journal of the History of Sexuality 6.2 (1995): 231-83.
- Fiedler, Johanna. Molto Agitato: The Mayhem behind the Music of the Metropolitan Opera. New York: Anchor, 2003.
- Finnegan, William. "Letter from Miami: The Cuban Strategy." New Yorker 15 Mar. 2004: 77.
- Fitzlyon, April. Maria Malibran: Diva of the Romantic Age. London: Souvenir, 1987.
- González, Jorge Antonio. La composición operística en Cuba. La Habana: Letras Cubanas, 1986.
- Gutiérrez Alea, Tomás, and Juan Carlos Tabío, dir. Fresa y chocolate. Perf. Jorge Perugorría, Vladimir Cruz, and Mirtha Ibarra. ICAIC, 1994.
- Hijuelos, Oscar. The Mambo Kings Play Songs of Love. New York: Farrar, 1989.
- Kerman, Joseph. Opera as Drama. Berkeley: U of California P, 1988.
- Klazz Brothers and Cuba Percussion. Classic Meets Cuba. CD. Sony Classical, 2002.
- Klazz Brothers and Cuba Percussion. Mozart Meets Cuba. Sony Classical. 2006.
- Koestenbaum, Wayne. The Queen's Throat: Opera, Homosexuality, and the Mystery of Desire. New York: Vintage, 1994.
- Kristeva, Julia. Étrangers à nous-mêmes. Paris: Seuil, 1988.
- Lebrecht, Norman. Covent Garden: The Untold Story: Dispatches from the English Culture War, 1945-2001. London: Pocket, 2000.
- Lindenberger, Herbert. Opera: The Extravagant Art. Ithaca: Cornell UP, 1984.
- Mañach, Jorge. La crisis de la alta cultura en Cuba / Indagación del choteo. Ed. Rosario Rexach. Miami: Universal, 1991.
- Martin, George. Verdi at the Golden Gate: Opera and San Francisco in the Gold Rush Years. Berkeley: U of California P, 1993.
- McClary, Susan. Georges Bizet: Carmen. Cambridge, Eng.: Cambridge UP, 1992.
- Méndez Rodenas, Adriana. Gender and Nationalism in Colonial Cuba: The Travels of Santa Cruz y Montalvo, Condesa de Merlin. Nashville: Vanderbilt UP, 1998.
- Merlin, Comtesse. La Havane. 3 vols. Paris: Librairie d'Amyot, 1844.
- Merlin, Comtesse. Mes douze premières années. Paris: Gautier-Laguionie, 1831.
- Molloy, Sylvia. At Face Value: Autobiographical Writing in Spanish America. Cambridge, Eng.: Cambridge UP, 1991.
- Nero, Charles I. "Diva Traffic and Male Bonding in Film: Teaching Opera, Learning Gender, Race, and Nation." Camera Obscura 56.19 (2004): 46-73.
- Olivares, Jorge. "Otra vez Cecilia Valdés: Arenas con(tra) Villaverde." Hispanic Review 62.2 (Spring 1994): 169-84.
- Olivares, Jorge. "¿Por qué llora Reinaldo Arenas?" MLN 115.2 (March 2000): 268-98.
- Pérez Firmat, Gustavo. "Riddles of the Sphincter: Another Look at the Cuban Choteo." Diacritics (Winter 1984): 67-77.
- Planet, Adolfo. Del armario al escenario: la ópera gay. Barcelona: Ediciones La Tempestad, 2003.
- Preston, Katherine K. Opera on the Road: Traveling Opera Troupes in the United States, 1825-60. Urbana: U of Illinois P, 1993.
- Río Prado, Enrique. Pasión cubana por Giuseppe Verdi. La Habana: Unión, 2001.
- Robinson, Paul. Opera and Ideas: From Mozart to Strauss. Ithaca: Cornell UP, 1985. 8-57.
- Romani, Felice. Libretto. Norma. Music by Vincenzo Bellini. Orchestra e Coro del Teatro alla Scala. Dir. Tullio Serafin. EMI Classics, 1985.
- Sadie, Stanley, ed. The New Grove Book of Operas. New York: St. Martin's, 1997.
- Sanborn, Pitts, and Emil Hilb. The Metropolitan Book of the Opera. Garden City: Garden City Publishing, 1942.
- Santí, Enrico Mario. "Fresa y chocolate: la retórica de la reconciliación." Por una politeratura: literatura hispanoamericana e imaginación política. México, D.F.: Consejo Nacional para la Cultura y las Artes, 1997. 286-302.
- Smith, Paul Julian. Vision Machines: Cinema, Literature, and Sexuality in Spain and Cuba, 1983-1993. London: Verso, 1996.
- Soublette, Ned. Cuba and Its Music: From the First Drums to the Mambo. Chicago: Chicago Review P, 2004.
- Stewart, James B. "The Opera Lover: How Alberto Vilar's Passion for Philanthropy Landed Him in Jail." New Yorker. 13 Feb. and 20 Feb. 2006: 108-22.
- Verdi, Giuseppe. Il trovatore. Orchestra del Teatro alla Scala. Cond. Herbert von Karajan. Perf. Maria Callas, Giuseppe di Stefano, Rolando Panerai, and Fedora Barbieri. EMI, 1957.