Anti-Space: the political complexion of an inner city art gallery

References

• Arts Council England (ACE). 2006. The power of art: visual arts: evidence of impact, parts 1, 2, 3. London: Arts Council England.
   Google Scholar
• Augé, M. 1995. Non-places: introduction to an anthropology of supermodernity. London, New York: Verso. Harvard University Press.
   Google Scholar
• Batia, S. 1979. Artist-run galleries – a contemporary institutional change in the visual arts, Qualitative Sociology 2(1): 3–28. http://dx.doi.org/10.1007/BF02390131
   Google Scholar
• Belfiore, E. 2004. Auditing culture: the subsidized cultural sector in the new public management, International Journal of Cultural Policy 10(2): 183–202. http://dx.doi.org/10.1080/10286630042000255808
   Google Scholar
• Birmingham City Council. 2010. Birmingham Big City Plan: The City Centre Masterplan for Birmingham. Birmingham: BCC.
   Google Scholar
• Blessi, G. T.; Sacco, P. L.; Pilati, T. 2011. Independent artist-run centres: an empirical analysis of the Montreal non-profit visual arts field, Cultural Trends 20(2): 141–166. http://dx.doi.org/10.1080/09548963.2011.563907
   Google Scholar
• Bloor, S.; Bloor, T.; Condorelli, C.; Claxton, R.; Wade, G. 2011. Eastside Projects user's manual, draft 4. Birmingham: Eastside Projects.
   Google Scholar
• Boltanski, L.; Chiapello, E. 2005. The new spirit of capitalism. London: Verso.
   Google Scholar
• Bourdieu, P. 1984. Distinction: a social critique of the judgment of taste. Translated by Richard Nice. Cambridge: Mass: Harvard University Press.
   Google Scholar
• Bronson, A. A. 1983. The humiliation of the bureaucrat: artistrun centres as museums by artists, in A. A. Bronson, P. Gale (Eds.). Museums by artists. Toronto: Art Metropole, 29–37.
   Google Scholar
• Blaug, R.; Horner, L.; Lekhi, R. 2006. Public value, politics and public management: a literature review. London: The Work Foundation.
   Google Scholar
• Buddensieg, A.; Belting, H. (Eds.). 2009. The global art world: audiences, markets, and museums. Ostfildern: Hatje Cantz.
   Google Scholar
• Burrows, D. 2013. The gallery is many things. Birmingham: Eastside Projects.
   Google Scholar
• Condorelli, C. 2010. Functional configurations: Eastside Projects as a play in eight acts, Manifesta Journal 10: 84–97.
   Google Scholar
• Cooke, J. 2006. Heterotopia: art ephemera, libraries and alternative space, Art Documentation 25(2): 37–40.
   Google Scholar
• Cultural Trends September–December, 2011. Special issue on New Labour's Cultural Policy and Legacy.
   Google Scholar
• Department of Culture, Media and Sport (DCMS). 2004. The White Book: DCMS guidance on appraisal and evaluation of projects, programmes and policies. London: DCMS.
   Google Scholar
• Eastside Projects. 2008. Eastside Projects manual, draft 2. Birmingham: Eastside Projects.
   Google Scholar
• Eastside Projects. 2013a. This is the Gallery and the Gallery is Many Things, 27 September to 22 November, 2008 [online], [cited 24 October 2013]. Available from Internet: http://eastsideprojects.org/past/this-is-the-gallery-and/
   Google Scholar
• Eastside Projects. 2013b. The artist and the engineer: Eastside Project's user manual, draft 6. Birmingham: Eastside Projects.
   Google Scholar
• Foucault, M. 1972. Archaeology of knowledge. Translated by A. M. Sheridan Smith. New York: Pantheon.
   Google Scholar
• Grande, N. 2012. Relational Critique, in G. Vaz-Pinheiro (Ed.). Relational spaces: a new expanded field for art and thought. Porto: ArtinSite, 35–39.
   Google Scholar
• Gray, B. 2002. The role of the entrepreneur, in M. Stratton (Ed.). Industrial buildings: conservation and regeneration. London: E & FN Spon, 109–121.
   Google Scholar
• Grodach, C.; Silver, D. 2012. The politics of urban cultural policy. New York, London: Routledge.
   Google Scholar
• Harvey, D. 1989. From managerialism to entrepreneurialism: the transformation of urban governance in late capitalism, Geografiska Annaler 71B(1): 3–17. http://dx.doi.org/10.2307/490503
   Google Scholar
• Holden, J. 2004. Capturing cultural value: how culture has become a tool of government policy. London: DEMOS.
   Google Scholar
• Hutton, T. 2008. The new economy of the inner city: restructuring, regeneration, dislocation in the twenty-first century metropolis. London: Routledge.
   Google Scholar
• Langdon, J. (Ed). 2012. Eastside Projects user's manual, draft five (with Gavin Wade, Celine Condorelli, Simon & Tom Bloor, Ruth Claxton). Birmingham: Eastside Projects.
   Google Scholar
• Lash, S.; Urry, J. 1994. Economies of signs and space. London: Sage.
   Google Scholar
• Lind, M. 2010. Maria Lind: selected writing. Berlin: Sternberg Press.
   Google Scholar
• Miles, M. 2005. Interruptions: testing the rhetoric of culturally led urban development, Urban Studies 42(5/6): 889–911. http://dx.doi.org/10.1080/00420980500107375
   Web of Science ®Google Scholar
• Mirza, M. 2012. The politics of culture: the case for universalism. Basingstoke, Hants: Palgrave Macmillan.
   Google Scholar
• Morris, R. 1968. Anti-space, in R. Morris, 1993, Continuous project altered daily: the writings of Robert Morris. Cambridge, Mass.: MIT Press, 41–51.
   Google Scholar
• Nordström, K. A.; Ridderstråle, J. 2004. Karaoke capitalism: management for mankind. London: FT/Prentice Hall.
   Google Scholar
• Nordström, K. A.; Ridderstråle, J. 2007. Funky business forever: how to enjoy capitalism. London: FT/Prentice Hall.
   Google Scholar
• O'Neill, P. 2012. The culture of curating and the curating of culture(s). Cambridge, Mass.: MIT Press.
   Google Scholar
• Pine, J.; Gilmore, J. 1999. The experience economy. Cambridge, Mass.: Harvard Business School Press.
   Google Scholar
• Powell, W. W.; DiMaggio, P. J. (Eds.). 1991. The new institutionalism in organizational analysis. Chicago: University of Chicago Press.
   Google Scholar
• Rand, S.; Kouris, H. 2007. Cautionary tales: critical curating. New York: Apexart.
   Google Scholar
• Scott, A. J. 2000. The cultural economy of cities: essays on the geography of imageproducing industries. London: Sage.
   Google Scholar
• Tremblay, D.-G.; Pilati, T. 2007. Tohu and artist-run centres in montreal: contributions to the creative city?, Canadian Journal of Regional Science 30: 337–356.
   Google Scholar
• Van Heur, B. 2010. Creative networks and the city: towards a cultural political economy of aesthetic production. Bielefeld: Transcript Verlag.
   Google Scholar
• Vickery, J. 2013. Interview with Gavin Wade, 5 November, 2013. Eastside Projects, Birmingham.
   Google Scholar
• Wade, G., et al. 2011. Brief report on activities. Birmingham: Eastside Projects.
   Google Scholar