References
- Aldrich, R. (1955). Kiss me deadly. Hollywood, CA: United Artists.
- Atkinson, P. (2006). Rescuing autoethnography. Journal of Contemporary Ethnography, 35, 400–404.
- Bakhtin, M. M. (1981). The dialogical imagination: Four essays (M. Holquist & C. Emerson, Trans.). Austin: University of Texas Press.
- Barry, P. (1995). Beginning theory: An introduction to literary and cultural theory. Manchester: Manchester University Press.
- Bauer, M., & Gaskell, G. (Eds.). (2000). Qualitative researching with text, image and sound. London: Sage.
- Behar, R., & Gordon, D. A. (Eds.). (1995). Women writing culture. Berkeley, CA: University of California Press.
- Bordo, S. (1986). The Cartesian masculinization of thought. Signs, 11(3), 433–457.
- Bordwell, D., & Thompson, K. (1993). Film art: An introduction (4th ed.). New York: McGraw Hill.
- Botting, F. (1996). Gothic. London: Routledge.
- Brosnan, J. (1991). The primal screen: A history of science fiction film. London: Orbit Books.
- Carpenter, J. (1988) They live. Beverly Hills, CA: Carolco International NV.
- Chadwick, W. (1998). Mirror images: Women, surrealism and self-representation. Cambridge, MA: Massachusetts Institute of Technology.
- Clifford, J., & Marcus, G. E. (Eds.). (1986). Writing culture: The poetics and politics of ethnography (pp. 1–26). Los Angeles: University of California Press.
- Cohen, S. (1972). Folk devils and moral panics. London: MacGibbon and Kee.
- Daly, M. (1987). Gyn/ecology: The metaethics of radical feminism. London: The Women’s Press.
- Davis, M. (1990). City of quartz: Excavating the future in Los Angeles. New York: Vintage Books.
- Dean, M. (1991). The constitution of poverty: Toward a genealogy of liberal governance. London: Routledge.
- Dennis, J. P. (2005). The social is the literary: Experiments in radical ethnography. Contemporary Ethnography, 28, 475–478.
- Derrida, J. (1976). Of grammatology. London: Johns Hopkins University Press.
- Dreyer, C. (1931). Vampyr. London: Eureka Entertainment Ltd.
- Ellis, C. (2004). The ethnographic I: A methodological novel about autoethnography. Rowman, Walnut Creek, CA: Altamira.
- Erice, V. (1973). Spirit of the beehive. London: Lumiere Studio.
- Finlay, V. (1992). Virgil Finlay’s strange science. Novato, CA: Underwood-Miller.
- Friedrich, C. D. (c.1818). The Wanderer. Hamburg: Kunsthalle.
- Goldberg, D. T. (1993). Racist culture: Philosophy and the politics of meaning. Oxford: Blackwell.
- Gorecki, H. (1976). Lento Largo – Tranquillissimo Symphony No. 3 Opus 36. Dawn Upshaw (Soprano). London Sinfonietta. David Zinman, Conductor.
- Habermas, J. (1984). Reason and rationalisation of society. London: Heinemann.
- Hall, B. (1981). The democratization of research in adult and non-formal education. In P. Reason & J. Rowan (Eds.), Human inquiry: A sourcebook of new paradigm research. Chichester: John Wiley & Sons.
- Haraway, D. (1992). Primate Visions: Gender, Race and Nature in the World of Modern Science. London: Verso.
- Harris, N. S. (1989). Social security for young people. Aldershot: Avebury.
- Haslam, D. (1999). Manchester England: The story of a pop cult city. London: Fourth Estate.
- Hockings, P. (Ed.). (1975). Principles of visual anthropology. The Hague: Morton Publications.
- Hutson, S., & Liddiard, M. (1994). Youth homelessness: The construction of a social issue. Basingstoke: Macmillan.
- Keating, P. (1976). Into unknown England 1866–1915: Selections from the social explorers. Glasgow: Fontana/Collins.
- Krutnik, F. (1991). In a lonely street: Film noir, genre, masculinity. London: Routledge.
- Lanchester, J. (2009). It’s finished. London Review of Books, 28 May 3(13).
- Lang, F. (1926). Metropolis. München, Germany: Universum Film (UFA).
- Lee, C. (1994). Reading Mary Shelley’s Frankenstein. London: MCI Spoken Word Music.
- Leigh, M. (1993). Naked. London: Film Four. Madden, M. (1995). Necessary narratives: Toni Morrison and literary identities. Women’s Studies International Forum, 18(5/6), 585–594.
- Madden, M. (2001). The monstrosity of homelessness: Investigations of street homelessness in Manchester and London 1987–1994. Unpublished PhD thesis, Manchester: University of Manchester.
- Madden, M. (2002/2003, Winter). Representing Darren: Understanding youth homelessness. Youth and Policy, 78, 26–45.
- Madden, M. (2003). Braving homelessness on the ethnographic street with Irene Glasser and Rae Bridgman. Critique of Anthropology, 23(3), 289–304.
- Marcus, G. E. (1997). Cultural producers in perilous states: Editing events, documenting change. Chicago: University of Chicago Press.
- Marshall, T. (1995). Murdering to dissect: Graverobbing, Frankenstein and the anatomy literature. Manchester: Manchester University Press.
- Massive Attack. (1998). Angel track 1, Mezzanine, Circa Records.
- Mayhew, H. (1985) [1861]. London labour and the London poor: Selections. Harmondsworth: Penguin. Monaghan D. Production. (1999). Killer fog. London: Channel 4 Television.
- Morris, L. (1994). Dangerous classes. London: Routledge. Morrison, T. (1987). Beloved. London: Pan.
- Mort, F. (1988). Boys’ own? Masculinity, style and popular culture. In J. Rutherford & R. Chapman (Eds.), Male order: Unwrapping masculinity. London: Lawrence and Wishart.
- Murthy, D. (2008). Digital ethnography: An examination of the use of new technologies for social research. Sociology, 42(5), 837–855.
- Oates, D. (1992). A drama out of a crisis: exploring fact/fiction and representation through interviews with women political activists. Unpublished PhD thesis, Manchester: University of Manchester.
- Open University. (1993). The Enlightenment: Nature Display’d. Milton Keynes: OUP. Broadcast on BBC2.
- Open University. (1995). Approaching literature Milton Keynes: OUP. Broadcast on BBC2..
- Parker, I. (2005). Qualitative psychology: Introducing radical research. Buckingham: OUP.
- Petherbridge, D., & Jordonova, L. (1997). The quick and the dead: Artists and anatomy. London: South Bank Centre.
- Philp, M. (1979). Notes on the form of knowledge in social work. Sociological Review, 27(1), 83–111.
- Pykett, L. (1992). The improper feminine: The woman’s sensation novel and the new woman writing. London: Palgrave Macmillan.
- Radford, A. (2008). Victorian sensation fiction. London: Palgrave.
- Richardson, L., & Lockridge, E. (2004). Travels with Ernest: Crossing the literary–ethnographic divide. Walnut Creek, CA: Altamira Press.
- Richardson, R. (1987). Death dissection and the destitute. London: Routledge and Kegan Paul.
- Rutherford, J. (Ed.). (1990). Identity, community culture difference. London: Lawrence and Wishart.
- Said, E. W. (1978). Orientalism. London: Routledge and Kegan Paul.
- Shapiro, M. (2001). Textualizing global politics. In M. Wetherell, S. Taylor, & S. J. Yates (Eds.), Discourse theory and practice. London: Sage.
- Shelley, M. (1963) [1818]. Frankenstein or, the modern prometheus. New York: Airmont Books.
- Silverberg, R. (1984). The way the future looks: THX 1138 and Blade Runner. In D. Peary (Ed.), Omni’s screen flights/ screen fantasies: The future according to science fiction cinema. New York: Doubleday.
- Skeggs, B. (1997). Formations of class and gender: Becoming respectable. London: Sage.
- Stanley, L. (1992). The auto/biographical I: The theory and practice of feminist auto/biography. Manchester: Manchester University Press.
- Stanley, L., & Wise, S. (1993). Breaking out again: Feminist consciousness and feminist research. London: Routledge.
- Taylor, I., Evans, K., & Fraser, P. (1996). A tale of two cities: Global change, local feeling and everyday life in the north of England. A study in Manchester and Sheffield. London: Routledge.
- The Salvation Army. (1967). For God’s sake care. London: Constable.
- Waiwan. (1998). Revenge track 9, Distraction. London: Autonomy Records.
- Wall to Wall Television. (1991). Images of poverty, The Media Show, Channel 4.
- Ward. K. (1997). Metamorphic Manchester? Regeneration in the city, business elites and urban working paper 9. Manchester: Department of Geography, University of Manchester.
- Whale, J. (1931). Frankenstein. Hollywood, CA: Universal Studios.
- Whale, J. (1935). The bride of Frankenstein. Hollywood, CA: Universal Studios. Wilkinson, R., & Pickett, K. (2009). The spirit level: Why more equal societies almost always do better. London: Allen Lane.
- Wise, R. (1963). The haunting. Hollywood, CA: MGM.
- Woof, R., Hebron, S., & Tomalin, C. (Eds.). (1997). Hyenas in petticoats: Mary Wollstonecraft and Mary Shelley. Grasmere: The Wordsworth Trust.