Contemporary Music Review, Volume 33, Issue 2 (2014)

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Contemporary Music Review, Volume 33, Issue 2 (2014)

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Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries

Introduction

Introduction
Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries
Pwyll ap Siôn & Lauren Redhead
Pages: 125-127
Published online: 20 Oct 2014
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Articles

Article
‘Not Necessarily Mahler’: Remix, Samples and Borrowing in the Age of Wiki
Jeremy Barham
Pages: 128-147
Published online: 27 Oct 2014
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Article
Quotation, Psychogeography, and the ‘Journey Form’ in the Music Theatre of Bernhard Lang and Chico Mello
Lauren Redhead
Pages: 148-166
Published online: 20 Oct 2014
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Article
Hidden Disunities and Uncanny Resemblances: Connections and Disconnections in the Music of Lera Auerbach and Michael Nyman
Pwyll ap Siôn
Pages: 167-187
Published online: 27 Oct 2014
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Article
Theoretical Approaches to Quotation in Hip-Hop Recordings
Justin A. Williams
Pages: 188-209
Published online: 28 Oct 2014
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Open Access
Article
Voices, Violence and Meaning: Transformations of Speech Samples in Works by David Byrne, Brian Eno and Steve Reich
Maarten Beirens
Pages: 210-222
Published online: 27 Oct 2014
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Article
‘Can't Touch Me’: Television Cartoons and the Paraphrase of Popular Music
Jeremy W. Orosz
Pages: 223-240
Published online: 27 Oct 2014
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Notes on Contributors

About the Authors
Pages: 241-242
Published online: 23 Oct 2014
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