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Volume 35, Issue 2

Visual Anthropology

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Visual Anthropology, Volume 35, Issue 2 (2022)

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Visual Anthropology, Volume 35, Issue 2 (2022)

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Vol 37, 2024 Vol 36, 2023 Volume 35, 2022 Vol 34, 2021 Vol 33, 2020 Vol 32, 2019 Vol 31, 2018 Vol 30, 2017 Vol 29, 2016 Vol 28, 2015 Vol 27, 2014 Vol 26, 2013 Vol 25, 2012 Vol 24, 2011 Vol 23, 2010 Vol 22, 2009 Vol 21, 2008 Vol 20, 2007 Vol 19, 2006 Vol 18, 2005 Vol 17, 2004 Vol 16, 2003 Vol 15, 2002 Vol 14, 2001 Vol 13, 1999-2000 Vol 12, 1999 Vol 11, 1998 Vol 10, 1997-1998 Vol 9, 1996-1997 Vol 8, 1996 Vol 7, 1994-1995 Vol 6, 1993-1994 Vol 5, 1992-1993 Vol 4, 1991 Vol 3, 1990 Vol 2, 1989 Vol 1, 1987-1988

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Articles

Article

“We Felt That the Country Was in the Stage of a Rough Cut…”: Vernacular Documentation, Political Affects and the Ideological Functions of Catharsis in Ukraine

Nataliya Tchermalykh

Pages: 95-119

Published online: 22 Jun 2022

Abstractfor“We Felt That the Country Was in the Stage of a Rough Cut…”: Vernacular Documentation, Political Affects and the Ideological Functions of Catharsis in Ukraine | Full Text | References | PDF (919.8 KB) | EPUB

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Open Access

Article

Does Ethnographic Film (Still) Matter? Reflections on the Genre in a World of Multimodality

Anna Grimshaw

Pages: 120-137

Published online: 22 Jun 2022

AbstractforDoes Ethnographic Film (Still) Matter? Reflections on the Genre in a World of Multimodality | Full Text | References | PDF (195.9 KB) | EPUB

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Article

Ethnography in Contemporary Thai Cinematic Practices: A Case Study

Loredana Pazzini-Paracciani

Pages: 138-157

Published online: 22 Jun 2022

AbstractforEthnography in Contemporary Thai Cinematic Practices: A Case Study | Full Text | References | PDF (785.7 KB) | EPUB

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Article

Shadow Animism and Ontological Xenophobia: An Anthropology of Horror

Joshua Sterlin

Pages: 158-182

Published online: 22 Jun 2022

AbstractforShadow Animism and Ontological Xenophobia: An Anthropology of Horror | Full Text | References | PDF (363.1 KB) | EPUB

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Discussion

Pandemic Art: How the Virus Has Revolutionized Art Today

Babitha Justin

Pages: 183-195

Published online: 22 Jun 2022

First Page PreviewforPandemic Art: How the Virus Has Revolutionized Art Today | Full Text | References | PDF (2 MB) | EPUB

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Review Essays

Review Article

Cinemas of Isolation, Histories of Collectivity: Crip Camp and Disability Coalition

LeBrecht, Jim, and Nicole Newnham, directors. Crip Camp. Produced by Good Gravy Films & Higher Ground Productions, 2020; color, 106 mins. Distribution: Netflix

Emma Ben Ayoun

Pages: 196-200

Published online: 22 Jun 2022

First Page PreviewforCinemas of Isolation, Histories of Collectivity: Crip Camp and Disability Coalition | Full Text | References | PDF (156.4 KB) | EPUB

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Review Article

The Objectification of Women in V. Shantaram’s Films

Pankaj Jain & Nandini Bhasin

Pages: 201-206

Published online: 22 Jun 2022

First Page PreviewforThe Objectification of Women in V. Shantaram’s Films | Full Text | References | PDF (190.1 KB) | EPUB

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Film Reviews

Black Hole

Black Hole. Why I Have Never Been a Rose. Emmanuel Grimaud and Arnaud Deshayes, directors. Cinematography, Arnaud Deshayes and Emmanuel Grimaud; sound, Mikael Barre; editing, Gabriel Gonzales; production, La Bête, Paris; distribution, Slingshot Films, Trieste, Italy, 2019; color, 69 mins.; with English and French subtitles; special mention of the jury at Festival Jean Rouch, 2020

Jean Paul Colleyn

Pages: 207-209

Published online: 22 Jun 2022

First Page PreviewforBlack Hole | Full Text | References | PDF (139.1 KB) | EPUB

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Maasai Speak Back

Maasai Speak Back. Vanessa Wijngaarden director; produced by Vanessa Wijngaarden and Paulo Ngulupa; camera, sound and editing by Vanessa Wijngaarden; translations by Paulo Ngulupa, Paul Ole Murero and Vanessa Wijngaarden, 2019; color, 106 mins

Leonard J. Kamerling

Pages: 210-212

Published online: 22 Jun 2022

First Page PreviewforMaasai Speak Back | Full Text | PDF (129.6 KB) | EPUB

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Book Reviews

Book Review

Filming Real People

Vailati, Alex, and Gabriela Zamorano Villarreal, eds. Filming Real People: Ethnographies of “On Demand” Films. Cham: Palgrave Macmillan, 2021; 282 pp., index, photographs. ISBN 978-3-030-78911-4 (eBook). Price: $139.00

Addamms Songe Mututa

Pages: 213-218

Published online: 22 Jun 2022

First Page PreviewforFilming Real People | Full Text | References | PDF (259 KB) | EPUB

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Book Review

What Are Exhibitions For?

Daniels, Inge. What Are Exhibitions for? An Anthropological Approach. Photography by Susan Andrews. London, UK: Bloomsbury Academic, 2019; 230 pp.; ISBN, hdbk.: 978-1-3500-6535-2, paper: 978-1-3500-6539-0, ePDF: 978-1-3500-6536-9, eBook: 978-1-300-6537-6

Mary E. Lange

Pages: 219-221

Published online: 22 Jun 2022

First Page PreviewforWhat Are Exhibitions For? | Full Text | PDF (133.8 KB) | EPUB

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Book Review

Tradition in the Frame

Kalantzis, Konstantinos. Tradition in the Frame: Photography, Power, and Imagination in Sfakia, Crete. Bloomington, IN: Indiana University Press, 2019; 334 pp. ISBN: 978-0-253-03712-1 and 978-0-253-03713-8

Myriam Lamrani

Pages: 222-224

Published online: 22 Jun 2022

First Page PreviewforTradition in the Frame | Full Text | PDF (135.8 KB) | EPUB

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