Critical Arts, Volume 31, Issue 5 (2017)

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Critical Arts, Volume 31, Issue 5 (2017)

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Cinema at the End of the World

Introduction

Introduction
Introduction: Cinema at the End of the World
Antonio Traverso & Deane Williams
Pages: 1-11
Published online: 10 Apr 2018
First Page PreviewforIntroduction: Cinema at the End of the World | References | PDF (1.8 MB)
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Articles

Article
Between Political Film and Militant Video: An Analysis of the Discussions at the Rencontres Internationales pour un Nouveau Cinéma, Montreal, 1974
Mariano Mestman
Pages: 12-27
Published online: 09 Feb 2018
AbstractforBetween Political Film and Militant Video: An Analysis of the Discussions at the Rencontres Internationales pour un Nouveau Cinéma, Montreal, 1974 | References | PDF (817.5 KB)
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Article
The Return to the Social through the Collective “I”: Disrupting the Uneventful Face of Neoliberal Precariousness in the Chilean Documentary El otro día
Walescka Pino-Ojeda
Pages: 28-44
Published online: 07 Feb 2018
AbstractforThe Return to the Social through the Collective “I”: Disrupting the Uneventful Face of Neoliberal Precariousness in the Chilean Documentary El otro día | References | PDF (821.5 KB)
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Article
Representations of Women’s Agency in African Anti-colonial Struggles: The Case of Sambizanga (1972) and Mapantsula (1988)
Norita Mdege
Pages: 45-60
Published online: 07 Feb 2018
AbstractforRepresentations of Women’s Agency in African Anti-colonial Struggles: The Case of Sambizanga (1972) and Mapantsula (1988) | References | PDF (858.2 KB)
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Article
After Death: Public Mourning, Discourse, and Myth in the Afterlife Representations of a Tanzanian Movie Star
Claudia Böhme
Pages: 61-76
Published online: 10 Apr 2018
AbstractforAfter Death: Public Mourning, Discourse, and Myth in the Afterlife Representations of a Tanzanian Movie Star | References | PDF (746.8 KB)
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Dossier: Screen Genres of Reconciliation in Australia, Chile, Rwanda, and New Zealand

Introduction
Dossier: Screen Genres of Reconciliation in Australia, Chile, Rwanda, and New Zealand
Antonio Traverso, Mick Broderick, Felicity Collins & Susannah Radstone
Page: 77
Published online: 10 Apr 2018
CitationforDossier: Screen Genres of Reconciliation in Australia, Chile, Rwanda, and New Zealand | PDF (588 KB)
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Article
Not Reconciled: Grey Matter (Ruhorahoza 2011) and the Lacunae of Post-genocide Rwandan Cinema
Mick Broderick
Pages: 78-86
Published online: 10 Apr 2018
AbstractforNot Reconciled: Grey Matter (Ruhorahoza 2011) and the Lacunae of Post-genocide Rwandan Cinema | References | PDF (820.6 KB)
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Dossier: Screen Genres of Reconciliation in Australia, Chile, Rwanda, New Zealand

Article
Top of the Lake’s Emotional Landscape: Reparation at the Edge of the World
Susannah Radstone
Pages: 87-94
Published online: 27 Jan 2018
AbstractforTop of the Lake’s Emotional Landscape: Reparation at the Edge of the World | References | PDF (739.8 KB)
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Dossier: Screen Genres of Reconciliation in Australia, Chile, Rwanda, and New Zealand

Article
La Flaca Alejandra: Post-dictatorship Documentary and (No) Reconciliation in Chile
Antonio Traverso
Pages: 95-106
Published online: 10 Apr 2018
AbstractforLa Flaca Alejandra: Post-dictatorship Documentary and (No) Reconciliation in Chile | References | PDF (1.5 MB)
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Article
Disturbing the Peace: The Ghost in beDevil and The Darkside
Felicity Collins
Pages: 107-114
Published online: 10 Apr 2018
AbstractforDisturbing the Peace: The Ghost in beDevil and The Darkside | References | PDF (828.7 KB)
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Articles

Article
“Be Careful, Cowboy”: The Translation and Mutation of the Western Genre in Red Hill
Nicholas Moll
Pages: 115-127
Published online: 10 Apr 2018
Abstractfor“Be Careful, Cowboy”: The Translation and Mutation of the Western Genre in Red Hill | References | PDF (768.2 KB)
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Article
Transnational Telenovela Remakes: Challenging Dominant Models and Old-Fashioned Heroines
Sofia Rios
Pages: 128-141
Published online: 10 Apr 2018
AbstractforTransnational Telenovela Remakes: Challenging Dominant Models and Old-Fashioned Heroines | References | PDF (830 KB)
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Article
Different but the Same: Landscape and the Gothic as Transnational Story Space in Jane Campion’s Sweetie (1989) and Lucrecia Martel’s La Ciénaga (2001)
Margaret McVeigh
Pages: 142-155
Published online: 05 Feb 2018
AbstractforDifferent but the Same: Landscape and the Gothic as Transnational Story Space in Jane Campion’s Sweetie (1989) and Lucrecia Martel’s La Ciénaga (2001) | References | PDF (764.4 KB)
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Article
Mapping the Landscape with Sound: Tracking the Soundscape from Australian Colonial Gothic Literature to Australian Cinema and Australian Transcultural Cinema
Anne Barnes
Pages: 156-170
Published online: 10 Apr 2018
AbstractforMapping the Landscape with Sound: Tracking the Soundscape from Australian Colonial Gothic Literature to Australian Cinema and Australian Transcultural Cinema | References | PDF (781.7 KB)
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Article
Kangaroo: The Australian Story
Constantine Verevis
Pages: 171-185
Published online: 09 Feb 2018
AbstractforKangaroo: The Australian Story | References | PDF (1.2 MB)
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Article
Beyond Poetics: Raúl Ruiz’s Rethinking of Narrative
Julia Vassilieva
Pages: 186-201
Published online: 10 Apr 2018
AbstractforBeyond Poetics: Raúl Ruiz’s Rethinking of Narrative | References | PDF (777.5 KB)
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Article
The Maslyn Williams Network
Ross Gibson & Deane Williams
Pages: 202-217
Published online: 10 Apr 2018
AbstractforThe Maslyn Williams Network | References | PDF (818.4 KB)
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