Critical Arts, Volume 32, Issue 3 (2018)

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Critical Arts, Volume 32, Issue 3 (2018)

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INTRODUCTION

Introduction
Participation, Art and Digital Culture
Kris Rutten
Pages: 1-8
Published online: 03 Sep 2018
AbstractforParticipation, Art and Digital Culture | References | PDF (393.4 KB)
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ARTICLES

Article
YouTube Scenes and the Public Re-seen: Natalie Bookchin and the Digital Public
Holly Arden
Pages: 9-25
Published online: 13 Jun 2018
AbstractforYouTube Scenes and the Public Re-seen: Natalie Bookchin and the Digital Public | References | PDF (776.2 KB)
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Article
A Different Point of View: Women's Self-representation in Instagram's Participatory Artistic Movements @girlgazeproject and @arthoecollective
Sofia P. Caldeira, Sofie Van Bauwel & Sander De Ridder
Pages: 26-43
Published online: 12 Jun 2018
AbstractforA Different Point of View: Women's Self-representation in Instagram's Participatory Artistic Movements @girlgazeproject and @arthoecollective | References | PDF (433.5 KB)
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Article
Affective Everyday Media: The Performativity of Whiteness in Australian Digital Storytelling
Daniella Trimboli
Pages: 44-59
Published online: 03 Sep 2018
AbstractforAffective Everyday Media: The Performativity of Whiteness in Australian Digital Storytelling | References | PDF (484.8 KB)
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Article
Digitalising the Shared Experience: Interconnected Dramaturgy and the Role of Media in the Tri-National Performance Phone Home
Sarah Beck
Pages: 60-76
Published online: 12 Jun 2018
AbstractforDigitalising the Shared Experience: Interconnected Dramaturgy and the Role of Media in the Tri-National Performance Phone Home | References | PDF (541.4 KB)
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Article
Embodied, Participatory Sense-Making in Digitally-Augmented Music Practices: Theoretical Principles and the Artistic Case “SoundBikes”
Pieter-Jan Maes, Valerio Lorenzoni, Bart Moens, Joren Six, Federica Bressan, Ivan Schepers & Marc Leman
Pages: 77-94
Published online: 12 Jun 2018
AbstractforEmbodied, Participatory Sense-Making in Digitally-Augmented Music Practices: Theoretical Principles and the Artistic Case “SoundBikes” | References | PDF (1.1 MB)
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Article
The Logic of Platforms: How “On Demand” Museums Are Adapting in the Digital Era
Caroline Wilson-Barnao
Pages: 95-110
Published online: 25 Jun 2018
AbstractforThe Logic of Platforms: How “On Demand” Museums Are Adapting in the Digital Era | References | PDF (401.1 KB)
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Article
The Audience and Artist Interactivity in Augmented Reality Art: The Solo Exhibition on the Flame Series
H. Cecilia Suhr
Pages: 111-125
Published online: 03 Sep 2018
AbstractforThe Audience and Artist Interactivity in Augmented Reality Art: The Solo Exhibition on the Flame Series | References | PDF (710.1 KB)
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Article
Literature and Participatory Culture Online: Literary Crowdsourcing and Its Discontents
Hanna Kuusela
Pages: 126-142
Published online: 12 Jun 2018
AbstractforLiterature and Participatory Culture Online: Literary Crowdsourcing and Its Discontents | References | PDF (446.4 KB)
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VIGNETTE

FIG(URATIONS): One Extended Metaphor for the Poetic Method, a Vignette for Convolute H (and an Ode to Walter Benjamin)
Olivia C. Guntarik
Pages: 143-155
Published online: 12 Jun 2018
AbstractforFIG(URATIONS): One Extended Metaphor for the Poetic Method, a Vignette for Convolute H (and an Ode to Walter Benjamin) | References | PDF (5.1 MB)
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