de arte, Volume 53, Issue 2-3 (2018)

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de arte, Volume 53, Issue 2-3 (2018)

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Editorial

Editorial
Troubling Histories: Public Art and Prejudice – An Introduction
Kim Miller & Brenda Schmahmann
Pages: 1-3
Published online: 07 Dec 2018
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Articles

Article
The Elephant in the Room: Prejudicial Public Art and Cultural Vandalism
Erika Doss
Pages: 4-30
Published online: 07 Dec 2018
AbstractforThe Elephant in the Room: Prejudicial Public Art and Cultural Vandalism | References | PDF (8.5 MB)
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Article
Challenging Narratives: Arthur Ashe and the Practice of Counter-Monumentality on Richmond’s Monument Avenue
Elizabeth P. Baltes
Pages: 31-50
Published online: 07 Dec 2018
AbstractforChallenging Narratives: Arthur Ashe and the Practice of Counter-Monumentality on Richmond’s Monument Avenue | References | PDF (7.7 MB)
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Article
Tarred by History: Materiality, Memory, and Protest
Nicole Maurantonio
Pages: 51-69
Published online: 07 Dec 2018
AbstractforTarred by History: Materiality, Memory, and Protest | References | PDF (2.8 MB)
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Article
Erecting the “Comfort Women” Memorials: From Seoul to San Francisco
Rangsook Yoon
Pages: 70-85
Published online: 07 Dec 2018
AbstractforErecting the “Comfort Women” Memorials: From Seoul to San Francisco | References | PDF (2.5 MB)
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Article
The Politics of Shame: The Glendale Comfort Women Memorial and the Complications of Transnational Commemorations
Sierra Rooney
Pages: 86-102
Published online: 07 Dec 2018
AbstractforThe Politics of Shame: The Glendale Comfort Women Memorial and the Complications of Transnational Commemorations | References | PDF (3.2 MB)
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Article
Commemoration as Witnessing: 20 Years of Remembering the Stolen Generations at Colebrook Reconciliation Park
Alison Atkinson-Phillips
Pages: 103-121
Published online: 07 Dec 2018
AbstractforCommemoration as Witnessing: 20 Years of Remembering the Stolen Generations at Colebrook Reconciliation Park | References | PDF (3.3 MB)
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Article
“The Walls Are So Silent”: Spaces of Confinement and Gendered Meanings of Incarceration in South African Commemorative Art
Kim Miller
Pages: 122-141
Published online: 07 Dec 2018
Abstractfor“The Walls Are So Silent”: Spaces of Confinement and Gendered Meanings of Incarceration in South African Commemorative Art | References | PDF (4.2 MB)
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Article
Monumental Mediations: Performative Interventions to Public Commemorative Art in South Africa
Brenda Schmahmann
Pages: 142-159
Published online: 07 Dec 2018
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