Studies in Eastern European Cinema, Volume 11, Issue 3 (2020)

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Studies in Eastern European Cinema, Volume 11, Issue 3 (2020)

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Editorial

Editorial
Editorial
Ewa Mazierska
Pages: 241-242
Published online: 01 Nov 2020
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Articles

Article
Hard power and film distribution: transformation of distribution practices in Poland in the era of digital revolution
Marcin Adamczak
Pages: 243-261
Published online: 26 Aug 2019
AbstractforHard power and film distribution: transformation of distribution practices in Poland in the era of digital revolution | Full Text | References | PDF (939.9 KB) | EPUB
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Article
Limiting the unlimited: curation in Czech film distribution in the digital era
Jan Hanzlík
Pages: 262-278
Published online: 14 Aug 2020
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Article
Actuality in the making: Ontological non-foundationalism in Petr Zelenka’s The Karamazovs
Łukasz Siciński
Pages: 279-291
Published online: 26 Sep 2019
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Article
Marriage, adultery, and sexuality (unelided) in Tuesday, After Christmas
Michael Keerdo-Dawson
Pages: 292-306
Published online: 03 Jan 2020
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Book Reviews

Book Review
On the trail of Charles Rider Noble’s cinematic activities in the Balkans
The Cinematographic Activities of Charles Rider Noble and John MacKenzie in the Balkans (Volume One), by Petar Kardjilov (Translated from Bulgarian by Ivelina Petrova), Cambridge Scholars Publishing, 2020, 434 pp., £70.99 (hardcover), ISBN 978-1-5275-4902-9
Ana Grgić
Pages: 307-310
Published online: 17 Sep 2020
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Book Review
On Endlessness and the Ending
No End in Sight. Polish Cinema in the Late Socialist Period, by Anna Krakus, Pittsburgh, University of Pittsburgh Press, 2018, 263 pp., $28.95 (paperback) ISBN 978-0-8229-6461-2
Emma Hamilton
Pages: 310-312
Published online: 01 Oct 2020
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