Studies in Theatre and Performance, Volume 38, Issue 1 (2018)

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Studies in Theatre and Performance, Volume 38, Issue 1 (2018)

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Editorial

Editorial
Editorial
Kate Dorney
Pages: 1-2
Published online: 02 Mar 2018
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Articles

Article
The Arts Britain still Ignores?
Jerri Daboo
Pages: 3-8
Published online: 10 Apr 2017
AbstractforThe Arts Britain still Ignores? | Full Text | References | PDF (454.1 KB)
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Article
‘Struggling with the word strange my hands have been burned many times’: mapping a migratory research aesthetics in arts-based strangeness research
Katja Frimberger
Pages: 9-22
Published online: 14 Dec 2016
Abstractfor‘Struggling with the word strange my hands have been burned many times’: mapping a migratory research aesthetics in arts-based strangeness research | Full Text | References | PDF (1.1 MB) | Supplemental
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Article
National representations, national theatres: Aubrey Menen and the experimental theatre company
Florian Stadtler
Pages: 23-35
Published online: 22 Mar 2017
AbstractforNational representations, national theatres: Aubrey Menen and the experimental theatre company | Full Text | References | PDF (824.2 KB)
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Article
Diderot’s body and cognitive science: sensation, impulse and action in performer training
Rea Dennis & Lisa Lewis
Pages: 36-47
Published online: 29 Dec 2016
AbstractforDiderot’s body and cognitive science: sensation, impulse and action in performer training | Full Text | References | PDF (794.3 KB)
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Article
Mental illness between subject and object: radical empathy and shared subjectivity in two contemporary performances
Christopher Dingwall-Jones
Pages: 48-61
Published online: 09 Jan 2017
AbstractforMental illness between subject and object: radical empathy and shared subjectivity in two contemporary performances | Full Text | References | PDF (892.5 KB)
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Article
Thinking through Nicola Elliott’s Bruising (2014)
Sonja Smit
Pages: 62-77
Published online: 02 Jan 2017
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Article
Narrative dysfunction in The Walworth Farce by Enda Walsh and On Raftery’s Hill by Marina Carr
Hannah Greenstreet
Pages: 78-90
Published online: 22 Mar 2017
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Book Reviews

Book Review
The late work of Sam Shepard
Ana Fernández-Caparrós
Pages: 91-92
Published online: 08 Oct 2016
CitationforThe late work of Sam Shepard | Full Text | PDF (242 KB)
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Book Review
Locating the audience: how people found value in National Theatre Wales
Evelyn O’Malley
Pages: 92-94
Published online: 13 Oct 2016
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Book Review
Contemporary plays by African American women: ten complete works
Cindy Rosenthal
Pages: 94-95
Published online: 08 Oct 2016
CitationforContemporary plays by African American women: ten complete works | Full Text | PDF (317.8 KB)
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Book Review
Acts and apparitions: discourses on the real in performance practice and theory, 1990–2010
Jenn Stephenson
Pages: 96-97
Published online: 08 Oct 2016
CitationforActs and apparitions: discourses on the real in performance practice and theory, 1990–2010 | Full Text | PDF (234.4 KB)
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Book Review
Beckett’s creatures: art of failure after the Holocaust
Rhys Tranter
Pages: 97-98
Published online: 10 Oct 2016
CitationforBeckett’s creatures: art of failure after the Holocaust | Full Text | PDF (363.1 KB)
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Book Review
Theatre of real people: diverse encounters at Berlin’s Hebbel am Ufer and beyond
Liz Tomlin
Pages: 98-100
Published online: 03 Nov 2016
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Book Review
Wilde times: Patricia Wilde, George Balanchine and the rise of New York City Ballet
Geraldine Morris
Pages: 100-101
Published online: 07 Nov 2016
CitationforWilde times: Patricia Wilde, George Balanchine and the rise of New York City Ballet | Full Text | PDF (315.3 KB)
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