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Research Article

The color of history in contemporary Iranian art: intertextuality and its envisioned heterotopia

Figures & data

Figure 1. Abbas Kowsari, from the ‘Reds and Greens’ series (2014).

Figure 1. Abbas Kowsari, from the ‘Reds and Greens’ series (2014).

Figure 2. Siamak Filizadeh, Bread Riot, from the ‘Underground’ series (2011).

Figure 2. Siamak Filizadeh, Bread Riot, from the ‘Underground’ series (2011).

Figure 3. Left, Edouard Manet, Déjeuner sur l’herb (1863). Right, Farideh Lashai, Déjeuner au Park Mellat (2010).

Figure 3. Left, Edouard Manet, Déjeuner sur l’herb (1863). Right, Farideh Lashai, Déjeuner au Park Mellat (2010).

Figure 4. Left, Walter De Maria, The New York Earth Room at 141 Wooster Street in New York (1977). Right, Gohar Dashti, Home #6, from the ‘Home’ series (2017).

Figure 4. Left, Walter De Maria, The New York Earth Room at 141 Wooster Street in New York (1977). Right, Gohar Dashti, Home #6, from the ‘Home’ series (2017).

Figure 5. Left, Francisco Goya, The Third of May, 1808 (1814). Right, Azadeh Akhlaghi, Execution of Bijan Jazani, 1975, from the ‘Eye Witness’ series (2012).

Figure 5. Left, Francisco Goya, The Third of May, 1808 (1814). Right, Azadeh Akhlaghi, Execution of Bijan Jazani, 1975, from the ‘Eye Witness’ series (2012).

Figure 6. Mahmoud Sabzi, Metamorphoses (1987).

Figure 6. Mahmoud Sabzi, Metamorphoses (1987).