References
- Aranda, Daniel. 2004. “Les retours hybrides de personnages.” Poétique 139/3: 351–362.
- Daneshvari, Abbas. 2014. Amazingly Original: Contemporary Iranian Art at Crossroads. Costa Mesa: Mazda Publishers.
- Derrida, Jacques. 1982. Margins of Philosophy, translated by Alan Bass. Chicago: University of Chicago Press.
- Foucault, Michel. 1970. The Order of Things: An Archeology of the Human Sciences. New York: Pantheon.
- Heidegger, Martin. 2003. Philosophical and Political Writings, edited by Manfred Stassen. New York: Continuum International Publishing Group.
- Komaroff, Linda. 2018. In the Field of Empty Days: The Intersection of Past and Present in Contemporary Iranian Art. Los Angeles: Los Angeles County Museum of Art.
- Levinas, Emmanuel. 1969. Totality and Infinity: An Essay on Exteriority, translated by Alphonso Lingis. Pittsburg: Duquense University Press.
- Lukascs, Gerog. 1965. The Historical Novel, translated by Hannah and Stanley Mitchell. London: Merlin Press.
- McHale, Brian. 1987. Postmodernist Fiction. New York and London: Methuen.
- Morgan, Allen George. 1965. What Nietzsche Means. Cambridge, MA: Harvard University Press.
- Nietzsche, Friedrich. 1957. The Use and Abuse of History. 3rd ed. New York and Indianapolis: Bobbs Merril Company.
- Patočka, Jan. 1996. Heretical Essays in the Philosophy of History, translated by Erazim Kohák, edited by James Dodd with Paul Ricoeur’s preface to the French edition. Chicago and La Salle: Open Court.