Inessential Anti-Blackness: Re-Imagining a Post-Lockdown Tempest

Bibliography

• Akbar, Arifa. ‘“I’m Not Saying Shakespeare is an Anti-Black Racist. But … ” – the Festival Tackling an Incendiary Issue’. The Guardian, October 27. Accessed 16 February, 2024.
   Google Scholar
• Akhimie, Patricia. Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World. London: Routledge, 2018.
   Google Scholar
• Avila, Nicholas. ‘Director’s Note’. Oregon Shakespeare Festival. Accessed 18 March 2024.
   Google Scholar
• Barker, Francis, and Peter Hulme. ‘“Nymphs and Reapers Heavily Vanish”: The Discursive Contexts of The Tempest’. In Alternative Shakespeares, edited by John Drakakis, 194–208. London: Methuen, 1985.
   Google Scholar
• Black Lives Matter. ‘About’. Accessed 19 March, 2024.
   Google Scholar
• Brotton, Jerry. ‘“This Tunis, sir, was Carthage”: Contesting Colonialism in The Tempest’. In Post-Colonial Shakespeares, edited by Ania Loomba and Martin Orkin, 23–42. London: Routledge, 2003.
   Google Scholar
• Césaire, Aimé. Une Tempête. Translated by Richard Miller. Ann Arbor: University of Michigan Press, 1992.
   Google Scholar
• Deroux, Margaux. ‘The Blackness Within: Early Modern Color-Concept, Physiology and Aaron the Moor in Shakespeare's Titus Andronicus’. Mediterranean Studies 19 (2010): 86–101.
   Google Scholar
• Elizabeth I. ‘Proclamation on the Expulsion of “Negroes and Blackamoors”’. British Library, London, Salisbury MSS, xi, 569.
   Google Scholar
• Green, Roland. ‘Island Logic’. In The Tempest and Its Travels, edited by Peter Hulme, William Howard Sherman, William Sherman, 138–45. Philadelphia: University of Pennsylvania Press, 2000.
   Google Scholar
• Hall, Kim F. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca: Cornell University Press, 1995.
   Google Scholar
• Lantern Theatre. ‘The Tempest’. Accessed 19 March, 2024.
   Google Scholar
• Loomba, Ania. Shakespeare, Race, and Colonialism. Oxford: Oxford University Press, 2002.
   Google Scholar
• Loomba, Ania, and Martin Orkin. ‘Introduction’. In Post-Colonial Shakespeares, edited by Ania Loomba and Martin Orkin, 1–22. New York: Taylor & Francis Group, 1998.
   Google Scholar
• MacDonald, Joyce, Shakespearian Adaptation: Race and Memory in the New World. London: Palgrave Macmillan, 2020.
   Google Scholar
• Malcolmson, Cristina, and Sujata Iyengar. ‘Spots, Stripes, Stipples, Freckles, Marks, and Stains’. Journal for Early Modern Cultural Studies 18, no. 1 (2018): 134–139.
   Google Scholar
• Maler, Steven. ‘From the Director’. Commonwealth Shakespeare Company. Accessed 1 August 2023.
   Google Scholar
• Pollack-Pelzner, Daniel. 2016. ‘American Playwrights Try to Reinvent the History Play’. The New Yorker, August 9. Accessed 12 January, 2024.
   Google Scholar
• Rose, Madeline. ‘The Tempest’. Review of The Tempest, directed by Steven Maler’. Shakespeare Bulletin 40, no. 3 (2022): 451–454.
   Google Scholar
• Shakespeare, William. The Tempest. Edited by Virginia Mason Vaughan and Alden T. Vaughan. London: Bloomsbury, 2011.
   Google Scholar
• Smith, Ian. ‘We Are Othello: Speaking of Race in Early Modern Studies’. Shakespeare Quarterly 67, no. 1 (2016): 104–124.
   Web of Science ®Google Scholar
• Smith, Ian. Black Shakespeare: Reading and Misreading Race. Cambridge: Cambridge University Press, 2022.
   Google Scholar
• Sullivan, Kate. ‘Nikki Haley Kicked off 2024 Presidential Campaign with Calls for a New Generation of Leadership’. CNN. February 15 (2023). Accessed 17 March, 2024.
   Google Scholar
• Thompson, Ayana. Passing Strange: Shakespeare, Race, and Contemporary America. Oxford: Oxford University Press, 2013.
   Google Scholar
• Udall, Joanna, ed. A Critical, Old-Spelling Edition of ‘The Birth of Merlin’. London: Modern Humanities Research Association, 1991.
   Google Scholar
• Vaughan, Virginia Mason. Shakespeare in Performance: The Tempest. Manchester: Manchester University Press, 2015.
   Google Scholar
• Vaughan, Virginia Mason, and Alden T. Vaughan. ‘Introduction’. In The Tempest, edited by Virginia Mason Vaughan and Alden T. Vaughan, 1–222. London: Bloomsbury, 2011.
   Google Scholar
• Venning, Dan. ‘The Tempest’. Review of The Tempest, directed by Ryan Quinn’. Shakespeare Bulletin 40, no. 2 (2022): 267–270.
   Google Scholar
• Washington and Jefferson College. ‘The Tempest’. Accessed 19 March, 2024.
   Google Scholar
• Weisbourd, Emily. ‘“Those in Their Possession”: Race, Slavery and Queen Elizabeth's ‘Edicts of Expulsion’. Huntington Library Quarterly 78 (2018): 1–19.
   Google Scholar
• We See You W.A.T. ‘Principles for Building Anti-Racist Theatre Systems’. Accessed 19 March, 2024.
   Google Scholar
• Wilson, Daniel. Caliban: The Missing Link. Cambridge: Harvard University Press, 1873.
   Google Scholar