Exploring the Biomedical Paradigm in the Work of Jan Fabre

Click to increase image sizeClick to decrease image size

ACKNOWLEDGEMENT

The authors would like to thank all the participants for their kind cooperation. Special thanks to M2OCEAN for assistance in data collection and to Ann Roelant for help with the figures.

Notes

¹According to Roselee Goldberg this physical language is partly indebted to Performance Art (Goldberg, Performance: Live Art since the 60s, London Thames & Hudson, 1998: 65).

²Fabre's set of exercises is a collection of invented exercises, effective scenes from his oeuvre and exercises he borrows from other acting methods, such as those of Grotowski, Meyerhold and Artaud, respectively.