Notes
1 For more information about the artists’ works and how they relate to Žižekian theory see (Holland and Jones 2015).
2 This concern over exclusions in theatre and performance studies has also recently been raised by Paige McGinley (2015) in an unpublished presentation at the American Society for Theatre Research, ‘Rehearsing Nonviolence: Towards a Theatre History of the Civil Rights Movement’, which discussed the widely unacknowledged extent to which the formation of performance studies as a discipline was influenced by the Civil Rights Movement and the new understanding of social performance led to by the Movement’s protests.
3 http://zurbs.org/wp/biographyintro/theoretically, accessed 15 January 2016.