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Abstract
This article engages with the affective charge of being under the influence of chemotherapy for the first time; with a performance piece, Ero(chem)ica, emerging from this experience; and with chemo-relations as rehearsal spaces arousing formlessness. Indexing the disjointed intensity of luring text/ures, the performance and this piece, aim to attune the audience into new pharmacoerotic assemblages. To open, through eroticism, more possibilities of existence.