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Performance Research
A Journal of the Performing Arts
Volume 23, 2018 - Issue 8: On Disfiguration
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Original Articles

The Wall of History

 

Abstract

This text is an experiment in ‘mythological anthropology’ (Georges Bataille). Through a parody of Hegelian dialectic in which the moment of ‘synthesis’ is displaced by a delirious ‘prosthesis’, autobiographical and historical elements are disfigured in a play of phantasms.

Notes

1 Cited in Georges Bataille ‘The Deviations of Nature’ in Visions of Excess: Selected Writings, 1927-1939, ed. Allan Stoekl. Minneapolis: University of Minnesota Press, 1985, p. 53.

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