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Notes
1 The issue ‘On Politics’ and the The Routledge Companion to Theatre and Politics have been undertaken with support from the Australian Research Council (ARC) and are part of the ARC Discovery project: ‘Power and performance: Revaluing theatre in the 21st century’. We acknowledge and thank the ARC and Murdoch University (Perth, Western Australia) for funding support as well as our collaborators working with us on this project: Janelle Reinelt, Edward Scheer, Eddie Paterson and Caroline Wake. The genesis of this issue of Performance Research was a Symposium on Theatre and Politics convened by Grehan and Eckersall at Murdoch University in Perth, Australia in May 2019.