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1 For a comprehensive account of this history, see Stephen Decatur Smith’s brilliant essay ‘Even money decays’ (2014: 212–43).
2 For a more extended exploration of Adorno’s agonistic relationship to stage performance, see my essay ‘Adorno’s spectacles: Strawinsky und der Ort der Dialektik’ (Levin Citation2017: 275–92).
3 See also Hans-Thies Lehmann’s Tragedy and Dramatic Theatre (2016: 140–1).
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